mending basket on the table in front of her. On the other side his father chewed a wooden pen and dipped it in an open ink bottle and made entries in his black record book.
Alice, glancing up, saw Adam’s bloody face. Her hand rose to her mouth and her fingers hooked over her lower teeth.
Adam dragfooted up one step and then the other and supported himself in the doorway.
Then Cyrus raised his head. He looked with a distant curiosity. The identity of the distortion came to him slowly. He stood up, puzzled and wondering. He stuck the wooden pen in the ink bottle and wiped his fingers on his pants. “Why did he do it?” Cyrus asked softly.
Adam tried to answer, but his mouth was caked and dry. He licked his lips and started them bleeding again. “I don’t know,” he said.
Cyrus stumped over to him and grasped him by the arm so fiercely that he winced and tried to pull away. “Don’t lie to me! Why did he do it? Did you have an argument?”
“No.”
Cyrus wrenched at him. “Tell me! I want to know. Tell me! You’ll have to tell me. I’ll make you tell me! Goddam it, you’re always protecting him! Don’t you think I know that? Did you think you were fooling me? Now tell me, or by God I’ll keep you standing there all night!”
Adam cast about for an answer. “He doesn’t think you love him.”
Cyrus released the arm and hobbled back to his chair and sat down. He rattled the pen in the ink bottle and looked blindly at his record book. “Alice,” he said, “help Adam to bed. You’ll have to cut his shirt off, I guess. Give him a hand.” He got up again, went to the corner of the room where the coats hung on nails, and, reaching behind the garments, brought out his shotgun, broke it to verify its load, and clumped out of the door.
Alice raised her hand as though she would hold him back with a rope of air. And her rope broke and her face hid her thoughts. “Go in your room,” she said. “I’ll bring some water in a basin.”
Adam lay on the bed, a sheet pulled up to his waist, and Alice patted the cuts with a linen handkerchief dipped in warm water. She was silent for a long time and then she continued Adam’s sentence as though there had never been an interval, “He doesn’t think his father loves him. But you love him—you always have.”
Adam did not answer her.
She went on quietly, “He’s a strange boy. You have to know him—all rough shell, all anger until you know.” She paused to cough, leaned down and coughed, and when the spell was over her cheeks were flushed and she was exhausted. “You have to know him,” she repeated. “For a long time he has given me little presents, pretty things you wouldn’t think he’d even notice. But he doesn’t give them right out. He hides them where he knows I’ll find them. And you can look at him for hours and he won’t ever give the slightest sign he did it. You have to know him.”
She smiled at Adam and he closed his eyes.
Chapter 4
1
Charles stood at the bar in the village inn and Charles was laughing delightedly at the funny stories the night-stranded drummers were telling. He got out his tobacco sack with its meager jingle of silver and bought the men a drink to keep them talking. He stood and grinned and rubbed his split knuckles. And when the drummers, accepting his drink, raised their glasses and said, “Here’s to you,” Charles was delighted. He ordered another drink for his new friends, and then he joined them for some kind of deviltry in another place.
When Cyrus stumped out into the night he was filled with a kind of despairing anger at Charles. He looked on the road for his son, and he went to the inn to look for him, but Charles was gone. It is probable that if he had found him that night he would have killed him, or tried to. The direction of a big act will warp history, but probably all acts do the same in their degree, down to a stone stepped over in the path or a breath caught at sight of a pretty girl or a