swam back to her seal family in the ocean.
Luke leans in toward me, his head on his fists. His green, bleary eyes are staring at me like Iâve got something mysterious he could use. I canât turn my eyes from his. He says, âIâd like to try on a sealskin. Get out of this skin.â
Then I pull back. We both do. He calls for another beer. I hug my coat around myself, chilled beside the black windowpane. I say, âSince this threat of seeing my mother, I keep having these flashbacks about her.â
His eyes narrow, like Iâve become dangerous. âDid something happen you canât let go of?â
âJust moments. Just smells. What about you?â I say. âI want some secrets, too.â
He downs half the new glass of beer. He says, âZurmat. Paktia Province.â
I know these names. Afghanistan.
âSo youâre back, youâre not going.â
He nods. âI think about going back, all the time.â
âWhat did you do?â I say.
A tiny squinting of his eyes. He had shaved. But I can see a shadow in the valley over his lips. âMedic,â he says. âCordon and search missions.â
I donât know what that is. âIâve seen photos of Afghanistan,â I say. I place myself in a classroom with Mr. Murray showing photos on the screen. âMountains and valleys,â I say. âThey need to irrigate the little farms.â
His eyes shift to mine. âYouâre so pure.â
I donât know what to say. I just nod. Then, âI need to go.â
âI know,â he says.
âWhere do you live?â I say.
âNear Rye Harbor. A winter rental. One of those cabins. Thatâs why I got this habit now of coming down here and walking the strip. Not much life, but enough.â
âMy father lived in one of those winter rentals. It had everything. Near Rye Harbor? The ones in a horseshoe by the stone ledge?â
âYeah,â he says. âItâs fine.â
Itâs not.
I can tell from his face. He doesnât want to go back to it. Iâm not pure. I feel like Iâm old, like the way I felt when he took off his sunglasses and dared me to look at him on the beach.
âWanted to say thanks.â He is standing.
âFor what?â
âBad night, that night. Thanks for stopping. You could have run for your life.â
I stand to go, too, even while Iâm pretending we are going back to his cottage, in the center of the horseshoe of cottages. From there itâs a short walk to a stone breakwater reaching out to the Isles of Shoals.
His phone beeps.
He zips his coat over his sweater and answers.
âYup,â he says. âNo problem.â Puts the phone in his pocket.
âDonât tell my father,â I say.
âTell him what?â Luke says. Heâs distracted. He doesnât look at me.
âThat weâre doing this. He thinks Iâm perfect, that if he warned me, I would never do this.â
At the door, he looks at me. Straight on. We are so close I imagine the hardness of his jaw under the shadow of beard.
âWeâre not doing anything,â he says. He shoves his hands in his pockets when we step into the wind.
âWhy do you say it that way?â I ask.
âI donât want to get used to you,â he says. His jaw has hardened, and he moves ahead of me. He had not hesitated. But I know why heâs trying to put dark and space between us. I can name a dozen reasons why we should not get used to each other.
I catch up but let it be. We walk across the boulevard, our chests and hair quickly layered in snow. I am aware of his body and my body. He is barely two inches taller. Something happens to my walk. I feel it in my toes and my heels as my boots make silent prints beside his. I feel every part of them, making an arc as I am simply walking.
Iâm already used to him.
FLYING
I get home at midnight from Dunkinâ Donuts and
Alexei Panshin, Cory Panshin