exactly hard up.â
âI invested my money wisely, mostly in real estate. I bought houses out in the avenues for fifty thousand bucks, cash, and now I rent them for three thousand a month. Also cash. Plus the French contracts provide me with thirty thousand a year in mad money. And Iâve known some generous men in my time.â She laughed dryly. âThough not lately, except for the poor addled idiot who sends all these flowers.â
I adjusted my position. âI have to ask you something, Iâm afraid,â I said with a surprising degree of embarrassment.
âWhat is it?â
âHave you been making threats against Chandelier Wells?â
Her brow peaked like an alp. âWhat kind of threats are you talking about?â
âBodily harm. Violent death. Murder and mayhem and assorted misfortunes.â
She looked at me more closely. âYouâre serious, I believe.â
âAfraid so.â
âWell, I canât say Iâm sorry that Chandelier has some terror on her plate at the moment. But, no. Iâm not making threats. To her or to anyone else.â
âCan you think of someone who might be?â
âYou mean except the poor schmucks who pay hard-earned money to read her wretched prose?â
I grinned. âExcept them.â
âWell, sheâs gone through lots of men, and sheâs made a ton of money, and sheâs backed some fairly extreme political causes, plus sheâs a sour, evil person.â She reconsidered her list and smiled. âBut I suppose you were speaking specifically.â
âYes, I was.â
âThen no. Iâm the likeliest suspect I know, but I have an alibi.â
âWhich is?â
âMy revenge against Chandelier is reserved for my memoirs.â
âReally?â
âOh, yes.â
âWhich will be published when?â
âWhen Iâm dead and buried, Mr. Tanner. Which will be well into the next century if I have anything to say about it. And I believe Iâll have quite a bit to say, donât you?â
Chapter 6
The women were there when I arrived at the restaurant and had managed to commandeer the best table in the placeâI guess thatâs the sort of skill you develop by dining out in New York on a regular basis. Enricoâs was loud and lively as always, and chichi and clean and efficient as not often of late until the recent makeover by the new management.
The weather had cooperated, so it was as good a day as occurs in the city in February, warm enough to dine alfresco, sunny enough to wear shades, and clear enough for the bay to sparkle like a blue bank of snow and the hills to be observed lurking on all sides like kindly chaperons. The complex smells from the kitchen and the carefree banter from the throng strolling by on the sidewalk added to the sense of perfection.
The only one of the women Iâd met previously was Lark McLaren, but even if I hadnât seen her at Chandelierâs, Iâd have known she was the one who was local. Garbed in black from head to toe not excluding lips and fingernails, sheathed in long-sleeved and floor-length dresses that flattened every contour below the jawline, draped with capes and scarves of similar tints and functions, the two New Yorkers looked as if they had just come from a funeral of someone who didnât matter very much. My faded corduroys and threadbare tweeds looked cutting edge in comparison to the Easternersâ monochromatic garb, which made me wonder why such high-powered women would choose to dress as similarly as sheep. As for Lark, she looked swell in a bright print dress that didnât try to erase all evidence of her gender.
Although their outfits suggested they were twins, beneath their macabre couture the New Yorkers were distinctly different. Amber Adams, the agent, was large, buxom, and brash and wasnât bashful about any of it. In contrast, Sally Rinehart, the editor, was slim to