as usual these past couple of weeks.
We have all been SNEAKING peeks at Kevinâs drawing. There are a lot of bloody body parts lying around, and a smiling boy is standing in the middle of them, hands on his hips.
âItâs for this cool story my dad helped me find,â Kevin reports after giving me a quick look. âItâs called âThe Boy Who Left Home to Find Out About the Shivers.ââ
âThatâs not even a real story,â Cynthia informs him, adding some dots to the edge of Cinderellaâs perfectly clean white apron. Lace, probably. Cynthia would never allow even
pretend
dirt on her drawing.
âIt is, too,â Kevin says, not even looking at her.
âWell,
Iâve
never heard of it,â she says, like that means anything.
Heather comes back to the table. âYour turn, EllRay,â she says to me, and so I flip my illustration facedown on the table so no one can draw a mustache or something worse on Jack, get my story, and head for Ms. Sanchezâs desk.
âSo, EllRay,â Ms. Sanchez begins, smiling at me as I hand her my paper to look at again. âLetâs talk. You wrote a lot, but I take it you were a little disappointed with âJack and the Beanstalkâ?â
âIt wasnât the way I remembered,â I try to explain. âOnly it was too late for me to change stories.â
âThatâs okay,â Ms. Sanchez says, pinning back some loose hair that has fallen from the shiny black bun at the back of her head. âYou know, there are a couple of ways to look at this pickle youâre in. First, there are a number of versions of just about every folk tale or fairy story there is, did you know that?â
âYou mean people just make stuff up and change the stories?â I ask, frowning.
âWell, sure,â she says, laughing. âWriters tell the stories people want and need to hear, and those needs can change over time. And some of these stories go back hundredsâeven thousandsâof years, so naturally they evolve.â
âHuh,â I say, trying to figure out what sheâs saying.
âAlso, people
remember
the stories the way they need to,â Ms. Sanchez continues. âLike you did with Jack in âJack and the Beanstalk,â who you said âended up being a hero,â with nobody making fun of him anymore.â
âBut when I looked on the Internet, nothing I read was the way I remembered it,â I remind her. âAll the versions I read said he stole stuff from the giant.â
âAnd stealing is wrong, as you pointed out,â Ms. Sanchez agrees, nodding. âBut I think what those stories were really trying to say was that Jack was being clever, tricking the giant the way he did. He had to learn how to deal with someone who was mean and scary, like we all do. And remember, Jack was trying to help his mom.â
âHe was trespassing,â I say. â
And
stealing. You canât do that just because you donât like someone, or because theyâre a giant. Can you?â
Maybe you can! That would be pretty cool if it were true, I think, imagining it. You could just make a list of everyone who deserves to be robbed, andâ
âEllRay?â Ms. Sanchez is saying. âYou wandered off.â
That means I stopped paying attention for a moment, which is true.
I do that. Itâs one of my things.
âWhat Iâm trying to tell you is that Iâm very happy with the way you carried out the assignment,â Ms. Sanchez says. âYou did your research, then you explained how the story differed from the way you remembered it.â
âBut my research made a lie out of everything I liked about the story,â I say.
âNot necessarily,â Ms. Sanchez tells me. âWhat I want you to do next is to remember why the story was important to you in the first place, For example, if you were Jack, who would be the giant in your