into the white splendor of her own bedroom, feeling happier than she had in weeks. It was wonderful to be home. It looked better to her than the Hearsts' grand estate, and she lay across the white fox throw with a happy grin, kicking off her shoes, staring up at the pretty little chandelier, and thinking with excitement of her new role. She felt good again. So what if there was no man in her life? She had her work, and it made her very, very happy.
For the next month, she studied night and day, learning every line in the script, hers and everyone else's as well. She tried out different nuances, spent entire days walking the grounds of her home, talking to herself, trying it out, becoming the woman that she was to play. In the movie, she would be driven mad by the man she had married. Eventually, he would take their child from her, and she would attempt to kill herself, and then him, and slowly, slowly she would realize what he had done to her. She would prove it in the end, retrieve the child, and finally kill him. But even that final act of violence and vengeance was desperately important to Faye. Would the audience lose sympathy with her then? Would they love her more? Would they care? Would she win their hearts? It meant everything to her. And on the morning that filming was to begin, Faye was at the studio right on time, the script in a red alligator briefcase she always carried with her, her own makeup case made to match, a suitcase filled with a few things she always liked to have on the set, and she moved into her dressing room in a quiet businesslike way that was a delight to some, and enraged those who could not compete with her. Above all, and beyond anything, Faye Price was a professional, and she was also a perfectionist. But she demanded nothing from anyone that she didn't demand from herself first.
A maid from the studio was assigned to take care of Faye, her clothes, and her dressing room. Some brought their own help, but Faye could never imagine Elizabeth here, and she always left her at home. The women provided by the studio did just as well. This time they assigned a pleasant black woman to her, who had worked with her before. She was extremely capable, and Faye had enjoyed her comments and remarks before. The woman was sharp and had been working around the studio for years, and some of the stories she told made Faye laugh until she cried. So this morning, they were happy to meet again. She hung up all of Faye's own clothes, put her makeup out, did not touch the briefcase because she had made that mistake before and remembered that Faye didn't like anyone else handling her script. She served her coffee with exactly the right dose of milk, and at seven in the morning, when the hairdresser arrived to do Faye's hair, she brought her one soft-boiled egg and a single slice of toast. She was known for working miracles on the set, and taking exquisite care of “her stars,” but Faye never took advantage of it, and Pearl liked that.
“Pearl, you're going to have me spoiled for life.” She looked gratefully at her as the hairdresser went to work on her hair.
“That's the whole idea, Miss Price.” She beamed at her. She liked working with this girl. She was one of the best, and she loved talking about her to her friends. Faye had a kind of dignity that was difficult to describe, but she also had warmth and wit and, she grinned to herself, one hell of a pair of legs.
In two hours her hair was done, set exactly the way it was meant to be, and she had put on the dark blue dress that had been assigned to her. Her makeup was done just as the director had specified, and Faye was standing in the wings. The usual excitement had begun. Cameras were being pushed around, script girls were standing by, the director was conferring with light men, and almost all the actors had arrived, except for the other star. Faye heard someone mutter “as usual,” and wondered if this was the way he always worked, and with a quiet