real than a dream.
Footsteps again. More rushing around. Squishy rubber soles squeaked on linoleum as people came and went. Annie blinked, glimpsing a woman in cotton scrubs printed with kittens and stars. She bent forward, her breath warm and smelling of spearmint. âAnnie. Hey, Annie? Can you hear me?â
âUh.â Broken voice again, noise coming in a toneless rasp. âHuh.â
The womanâs face blazed with a smile. âWelcome back,â she said.
The sound of paper tearing, as if ripped off a roll of gift wrap. Footsteps again, hurrying off on a mission, then fading. Running. Running away.
Come back .
The woman spoke again, but not to Annie, to someone over her shoulder.
âCall the familyâstat.â
4
C aroline Rush removed the two coordinated art prints from the wall of Annieâs room at the rehab center, and replaced the discount-store artwork with a pair of original paintings of her own. Ifâno, when âher daughter woke up again, Caroline wanted her to see something familiar on the wall. She still couldnât get over the feeling of wonder and gratitude sheâd felt when theyâd called. Annie woke up. She spoke.
But by the time Caroline had sped down the mountain and along the state highway to Burlington, Annie was asleep again.
âYou picked two of my favorites,â said a voice Caroline hadnât heard in years.
She froze. Stopped breathing. Closed her eyes. And then she rallied, inhaling deeply. She would not let this man take her breath away. She would not let him render her at a loss for words. Very slowly, she turned.
Her ex-husband walked through the door. Ethan was as lean and fit as the day sheâd met himâa young man driving a truckload of fresh produce. âHey, Caro. I got here as quickly as I could.â He brushed past her and went straight to Annieâs bedside. âWhatâs happening?â
âThey say sheâs in transition.â
Ethan gazed down at their daughter, and his face went soft with sadness. He touched her bony shoulder through the faded hospital drape. âWhatâs that supposed to meanâin transition?â
âThatâs a question for the doctor. All I know is what I e-mailed Kyle. I assume he forwarded it to you.â
âYeah. So sheâs finally waking up? Coming around?â
Carolineâs stomach pounded with dread for her daughter, a feeling with which she was intimately familiar these days. âThereâve been signs . . .â
He pinched the bridge of his nose, his face taut with emotion.
Years after the divorce, Caroline still had no idea how to act around her ex-husband. Since he had left on that glorious pink-and-blue spring day, sheâd only seen him a few times. Ethan had attended Kyleâs wedding to Beth, a small and intimate celebration at the Grange Hall in Switchback. It had been awful, because Ethan had brought Imelda with him.
Caroline had actively hated him in that moment, and then sheâd hated herself for letting her ex steal her joy on their sonâs wedding day. She did better at Annieâs wedding, several years later. By then, sheâd learned to put up an impermeable wall between herself and Ethan. She pretended her ex-husband was just someone she used to know, like the guy who came to root out the septic system once a year.
âI didnât realize you had a favorite,â she said now, stepping back to make sure the paintings were level.
âThereâs a lot you didnât know about me,â he said.
She swung around to face him. âWhatâs that supposed to mean?â
âThe right corner needs to come up a tad,â he said, indicating toward one of the pictures.
âNo, itâs perfect.â She took another step back, and saw that he was right. She reached forward and nudged the corner up.
She wondered why heâd said this particular painting was one of his favorites. It was a