again.
“Quick!” said Doug, leading his army through the door.
And now, at last, they were inside the clock.
Here, suddenly, was the immense, frightening machinery of the Enemy, the Teller of Lives and Time. Here was the core of the town and its existence. Doug could feel all of the lives of the people he knew moving in the clock, suspended in bright oils and meshed in sharp cogs and ground down in clamped springs that clicked onward with no stopping. The clock moved silently. And now he knew that it had never ticked. No one in the town had ever actually heard it counting to itself; they had only listened so hard that they had heard their own hearts and the time of their lives moving in their wrists and their hearts and their heads. For here was only cold metal silence, quiet mo tion, gleams and glitters, murmurs and faint whispers of steel and brass.
Douglas trembled.
They were together at last, Doug and the clock that had risen like a lunar face throughout his life at every midnight. At any moment the great machine might uncoil its brass springs, snatch him up, and dump him in a grinder of cogs to mesh its endless future with his blood, in a forest of teeth and tines, waiting, like a music box, to play and tune his body, ribboning his fl esh.
And then, as if it had waited just for this moment, the clock cleared its throat with a sound like July thunder. The vast spring hunched in upon itself as a cannon prepares for its next concussion. Before Douglas could turn, the clock erupted.
One! Two! Three!
It fired its bells! And he was a moth, a mouse in a bucket being kicked, and kicked again. An earthquake shook the tower, jolting him off his feet.
Four! Five! Six!
He staggered, clapping his hands over his ears to keep them from bursting.
Again, again— Seven! Eight!— the tempest tore the air.
Shaken he fell against the wall, eyes shut, his heart stopped with each storm of sound.
“Quick!” Douglas shouted. “The crackers!”
“Kill the darn thing!” shouted Tom.
“I’m supposed to say that,” said Doug. “Kill it!”
There was a striking of matches and a lighting of fuses and the crackers were thrown into the maw of the vast machine.
Then there was a wild stomping and commotion as the boys fl ed.
They bolted through the third-floor window and almost fell down the fire escape and as they reached the bottom great explosions burst from the courthouse tower; a great metal racketing clangor. The clock struck again and again, over and over as it fought for its life. Pigeons blew like torn papers tossed from the roof. Bong! The clock voice chopped concussions to split the heavens. Ricochets, grindings, a last desperate twitch of hands. Then . ..
Silence.
At the bottom of the fire escape all the boys gazed up at the dead machine. There was no ticking, imagined or otherwise, no singing of birds, no purr of motors, only the soft exhalations of sleeping houses.
At any moment the boys, looking up, expected the slain tower face, hands, numerals, guts, to groan, slide, and tumble in a grinding avalanche of brass intestines and iron meteor showers, down, down upon the lawn, heaping, rumbling, burying them in minutes, hours, years, and eternities.
But there was only silence and the clock, a mindless ghost, hanging in the sky with limp, dead hands, saying naught, doing nothing. Silence and yet another long silence, while all about lights blinked on in houses, bright winks stretching out into the country, and people began to come out on porches and wonder at the darkening sky.
Douglas stared up, all drenched with sweat, and was about to speak when:
“I did it!” cried Tom.
“Tom!” cried Doug. “ We! All of us did it. But, good grief, what did we do?”
“Before it falls on us,” said Tom, “we’d better run.”
“Who says?” said Douglas.
“Sorry,” said Tom.
“Run!” cried Doug.
And the victorious army ran away into the night.
----
CHAPTER TWENTY-FIVE
It was the middle of the
Mark Twain, Sir Thomas Malory, Lord Alfred Tennyson, Maude Radford Warren, Sir James Knowles, Maplewood Books