would touch it, and the gray fume puffs that came out of the tailpipe just needed some dialogue in them to be highly toxic cartoons. The Death Mobile, we called it.
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MOM HOCKED THINGS from time to time. I remember later on in high school she passed my boyfriend the green beans almondine at our dinner table and asked, âNow, Martin, dear, do you know anyone who might want to buy a pair of antique revolvers? Darling little guns, they were Daddyâs.â I guess she figured if he was hanging around the high school at twentytwo looking for a girlfriend he might be the kind of person who might also know where to sell some guns.
Mom was seriously on Dadâs case at this point. We needed food, clothes, ballroom-dance lessons. When something came up, my mother would raid the attic even though none of her things would fit any of us. The things in the trunks and boxes were seemingly from another culture entirely, like the mink stoles of Nonnieâs with the heads still on. The idea that women wore small animal heads around their shoulders to indicate status and superiority over nonâanimal-head-wearing women, women who couldnât afford those little beady-eyed heads, was fascinating and nuts to me. The teeny bejeweled catâs-eyes glasses with double thick lenses that Mom wore from about the age of six on were so small that the four of us could never wear them even if we happened to go blind. The white gloves were for the smallest hands imaginable, the hands of a toddler it seemed to us. None of us standard human-sized girls could wear these things that Mom once wore to cotillions and balls. Not the velvet-covered black riding hatsânot the teeny beige chaps, not the teeny-tiny riding blazers.
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In those days it was weird if your father was around all day; this was before flex-time and perma-lancers and job-sharing. You either had a job or you didnât. I remember filling out forms for the Girl Scouts and coming upon âFatherâs occupation: _____.â
âWhat should I say Dad does?â I called out to my mother.
âFreelance writer,â sheâd yell and then mumble something under her breath. It was always a moment-by-moment call, what my father did. If he and my mother were getting along, he was a writer. If they were fighting, my mom might yell, âAbsolutely nothing,â to my question. Being a writer was like being a baby in an Edward Albee play. Some days your writing existed, some days it didnât, depending on how much people had had to drink, if you had been flirting with some professor down at Sarah Lawrence, if the car had died again and there was no money to fix it.
I remember being mortified when walking with some kids after school and seeing my dad coming out of the pretty red brick house that was the Bronxville library. Other peopleâs fathers spent the day with people, not microfiche.
âFreelance writer.â Surely my parents made this term up to define the hanging around my father did most days? Friendsâ parents seemed confused when Iâd say âfreelance writer,â and Iâd think, Drop it. Just drop it.
âWho does he write for?â
âHimself,â I would say.
âOh, really! Anything I might have read?â
âUmm . . . not his novel, that wasnât published . . . do you read Harperâs magazine? . . . or Commonweal ? Itâs a small Catholic magazine, very well regarded . . . heâs in The Norton Reader , too . . . whatâs The Norton Reader ? Itâs um, an anthology . . .â It was a real pain in the ass having a writer for a dad in a town that wasnât a haven for struggling artists or struggling anything. I heard Don DeLillo lived in Bronxville but I never saw his ass.
The people who did understand what freelance writer meant were my English teachers, a lot of whom were female, single, struggling writers who lived on the Upper West Side.
Starla Huchton, S. A. Huchton