at this time of night? I wondered. Whoever it was, it certainly wasn’t a de Luce.
Should I call for help, or tackle the intruder myself?
I seized the knob, turned it ever so slowly, and opened the door: a foolhardy action, I suppose, but after all, I was in my own home. No sense in letting Daffy or Feely take all the credit for catching a burglar.
Accustomed to the darkness, my eyes were somewhat dazzled by the light of an ancient paraffin lamp that was kept for use during electrical interruptions, and so at first I didn’t see anyone there. In fact, it took a moment for me to realize that someone—a stranger in rubber boots—was crouched by the fireplace, his hand on one of the brass firedogs that had been cast into the shape of foxes.
The whites of his eyes flashed as he looked up into the mirror and saw me standing behind him in the open doorway.
His moleskin coat and his scarlet scarf flared out as he came to his feet and spun quickly round.
“Crikey, gal! You might have given me a heart attack!”
It was Brookie Harewood.
FOUR
THE MAN HAD BEEN drinking. I noticed that at once. Even from where I stood I could detect the smell of alcohol—that and the powerful fishy odor that accompanies a person who wears a creel with as much pride as another might wear a kilt and sporran.
I closed the door quietly behind me.
“What are you doing here?” I asked, putting on my sternest face.
Actually, what I was thinking was that Buckshaw, in the small hours of the morning, was becoming a virtual Paddington Station. It wasn’t more than a couple of months since I had found Horace Bonepenny in a heated nocturnal argument with Father. Well, Bonepenny was now in his grave, and yet here was another intruder to take his place.
Brookie raised his cap and tugged at his forelock—the ancient signal of submission to one’s better. If he were a dog, it would be much the same thing as prostrating himself and rolling over to expose his belly.
“Answer me, please,” I said. “What are you doing here?”
He fiddled a bit with the wicker creel on his hip before he replied.
“You caught me fair and square, miss,” he said, shooting me a disarming smile. I noticed, much to my annoyance, that he had perfect teeth.
“But I didn’t mean no harm. I’ll admit I was on the estate hoping to do a bit of business rabbitwise. Nothing like a nice pot of rabbit stew for a weak chest, is there?”
He knocked his rib cage with a clenched fist and forced a cough that, since I had done it so often myself, didn’t fool me for an instant. Neither did his fake gamekeeper dialect. If, as Mrs. Mullet claimed, Brookie’s mother was a society artist, he had probably been schooled at Eton, or some such place. The grubbing voice was meant to gain him sympathy. That, too, was an old trick. I had used it myself, and because of that, I found myself resenting it.
“The Colonel’s no shooter,” he went on, “and all the world knows that for a fact. So where’s the harm in ridding the place of a pest that does no more than eat your garden and dig holes in your shrubbery? Where’s the harm in that, eh?”
I noticed that he was repeating himself—almost certainly a sign that he was lying. I didn’t know the answer to his question, so I remained silent, my arms crossed.
“But then I saw a light inside the house,” he went on. “ ‘Hullo!’ I said to myself, ‘What’s this, then, Brookie? Who could be up at this ungodly hour?’ I said. ‘Could someone be sick?’ I know the Colonel doesn’t use a motorcar, you see, and then I thought, ‘What if someone’s needed to run into the village to fetch the doctor?’”
There was truth in what he said. Harriet’s ancient Rolls-Royce—a Phantom II—was kept in the coach house as a sort of private chapel, a place that both Father and I went—though never at the same time, of course—whenever we wanted to escape what Father called “the vicissitudes of daily life.”
What he