gets too damn close.” Rusty is clad as usual in a sweatshirt and jeans, his long gray hair pulled back in a ponytail.
“Let’s hold here,” I say to them.
They need to stay put until I give them the signal. I don’t have to explain further. They know the routine. I need time to work and think. I count six uniformed cops sitting in their cruisers and posted at the perimeter. They’re making sure no one unauthorized enters the scene while they keep a lookout for the possible killer. I recognize two Cambridge crime scene techs who can’t do much until I’m done, and I find Sil Machado’s SUV, a dark blue Ford Explorer the same as Marino’s only not as shellacked with wax and Armor All.
Machado—the good-looking dark-haired Portuguese Man of War—is talking to a heavyset young woman, brunette, in sweats. The two of them are alone in the shade of a maple tree in front of the slate tower-roofed Victorian, a splendid three-story house turned into condominiums. Marino tells me Nari’s unit is on the first floor in back.
I lift out my scene case but hold my position at the rear of Marino’s SUV. I stand perfectly still. I get the lay of the land.
CHAPTER 6
T APE IS WRAPPED AROUND big oak trees and iron lampposts, bright yellow with police line do not cross in black. It encircles the property, threaded through railings, barring the front entrance covered by a peaked roof.
I note the red Honda’s temporary tags, the open tailgate, the cartons of milk and juice, the apples, grapes, bananas, and boxes and bags of cereal, crackers and potato chips scattered on the pavement. Cans of tuna have rolled to the curb, resting not far from my feet, and honeydew melons are cracked and oozing sweet juice that I can smell. A jar of salsa is shattered, and I detect its spicy tomato odor too. Flies have gotten interested, alighting on spilled food warming in the sun.
What once was the front yard is now a paved parking area with space for several cars. A motor scooter is chained to a lamppost. Two bicycles are secured by locked heavy cables hugging columns on a wraparound front porch centered by a bay window. Probably students living here, I decide, and a fifty-three-year-old high school music teacher married to a second wife named Joanna who supposedly was shopping at a New Hampshire outlet mall when the police gave her the shocking news.
I continue to ponder that fact as I move in, ducking under the tape. If Nari and his wife were heading to Vermont for a long weekend, why was she off to an outlet mall a two-hour round-trip away? Did she need to shop this morning because of their impending trip? Or was she careful not to be home or even in Massachusetts at nine-forty-five A.M. ? I reach the privacy screens. Velcro makes a ripping sound as I open the panel closest to the back of the red SUV. I make sure that the slowing cars and gathering spectators on sidewalks and in their yards can’t see what is none of their business.
I don’t enter the black boxy barricade yet as I think about what Marino said Joanna told Machado. She has no idea why anyone would have killed her husband. But she mentioned a high school student she was trying to help. She also offered the possibility of a random robbery gone as wrong as one could, and that’s not what this is.
I set down my scene case just outside the privacy screens, the sun almost directly overhead now, illuminating what’s inside. I smell the iron pungency of blood breaking down. Blowflies drone, honing in on wounds and orifices to lay their eggs.
HIS BODY IS FACEUP on the pavement, his legs straight out, the left one only very slightly bent. His arms are loosely by his sides. He didn’t stumble. He didn’t try to catch himself when he fell or move after he did. He couldn’t.
Blood is separating from its serum at the edges, in the very early stages of coagulation, consistent with his being shot within the past two hours. Postmortem changes will have begun but not