matchless delights.
Itâs not yet night; the brightness lingers
under a sky cemented above the streets and
over housefronts vanishing towards the horizon.
Itâs not day either; a grey and black fog
wafts up before our eyes as we gaze along
the row of street lights, lit up by four oâclock.
The stores are lighted; each window offers
a summary of the universe, and we stop to look,
with no purpose other than to savour time.
A few maples present an asymmetrical colonnade
unlike anything ever seen in Classical antiquity.
Theyâre so much more ancient, one might declare
them entirely new, bathed in the light of beginnings.
But still ⦠this is only a weekday morning
in the park that we cross on our way to the subway
and the noises of traffic will not let us behold
in this stretch of municipal grass the locus amÅnus
of The Bucolics , or take ourselves for Tityrus,
even if, at the pathâs end, philosophically, a man
out of work is crumbling a bun into a pigeon ballet,
and eight in the morning is a point in eternity too.
Sunlight casts a spray of slender branchings,
crystals of light, into space as it dips and sways,
delicately, then opens out at the intersection.
One imagines oneself in panorama, set like
an exclamation point at the centre of the colours
as in Miròâpersonage and point of viewâ
since oneâs watching oneself explore the stretch
that the eye invents on all sides. Then there
chimes in, like a symphony in a single chord,
the harpsichord of the starlings, the orchestra
of the traffic, and the perfumes, and the keen,
subtle joy sown by the shimmering brightness.
The houses leaning up against each other
offer a connected frontage of window rhythms
in the brick surfaces softened by the fog.
Sparrows clinging in the leafless trees
are fruit that no hand will gather; they
fly up and scatter as the stroller passes.
All he wants is to saunter down the slope of time,
spending at his leisure this afternoon of
a December so mild that everyoneâs amazed,
but as soon as he reaches the avenue, heâll act like
the rest, goaded by work and rushing from one line
to the next in the squares of their day planners.
âI realize Iâve got nothing to complain about ⦠â
she says to the friend beside her
as we pass them on the sidewalk.
Sheâs a woman in the street, plumpish, ordinary
no doubt, although we had only a glimpse of her
and will never know or want to know more.
Itâs enough to stroll in the light, in the midst
of all that it enfolds in its softness,
itâs enough to be oneself a single note
and nothing more, in the concert created
by all these things, in this street, at this hour,
to have nothing really to complain about.
He walks slowly, limping, because his boots are
too big and blister his heels, and because heâs tramped
for so long in the street like this, not knowing where.
He sees people stepping aside to avoid him, he guesses
theyâre turning to look as he passes, exclaiming at
the wake of stink that he himself no longer smells.
In both hands heâs toting torn plastic bags that heâll
have to replace tomorrow if the trash can heâs planning
to rummage in provides no others. He no longer remembers
not having plodded, lugging these worthless things,
through streets become one endless street, in the din,
the throng, the cold, the sun, the wind and the traffic.
The crow swoops and dips, wings outspread
under the misty sky. There have to be clouds,
between two seasons, before heâll appear.
He hangs in the air, seems to fall back,
catches himself and alights at the top of a maple,
where he sways, slowly and majestically.
The world around is made all of wind and cold,
out of the immense conch shell of space, the whole
laid out below, where he deigns to look down.
He inspects the horizon, of which he takes
possession with loud caws, then flies off
into