says.
âWhatâs really the matter?â she says. âGod, these steps.â
âI guess we canât seem to change it. As you say about livor and rigor. Set. Fixed. Letâs face it.â
âI wonât face whatever it is. As far as Iâm concerned, thereâs no it . And livor and rigor are about people who are dead. Weâre not dead. You just said you never were.â
Both of them are breathless. Her heart is pounding.
âIâm sorry. Really,â he says, referring to what happened in the past, his faked death and her ruined life.
She says, âHeâs been too attentive. Forward. So what?â
Benton is used to the attention other men pay to her, has always been rather unperturbed by it, even amused, because he knows who she is, knows who he is, knows his enormous power and that she has to deal with the same thingâwomen who stare at him, brush against him, want him shamelessly.
âYouâve made a new life for yourself in Charleston,â he says. âI canât see your undoing it. Canât believe you did it.â
âCanât believeâ¦?â And the steps go up and up forever.
âKnowing Iâm in Boston and canât move south. Where does that leave us.â
âIt leaves you jealous. Saying âfuck,â and you never say âfuck.â God! I hate steps!â Unable to catch her breath. âYou have no reason to be threatened. Itâs not like you to feel threatened by anyone. Whatâs wrong with you?â
âI was expecting too much.â
âExpecting what, Benton?â
âDoesnât matter.â
âIt certainly does.â
They climb the endless flight of steps and stop talking, because their relationship is too much to talk about when they canât breathe. She knows Benton is angry because heâs scared. He feels powerless in Rome. He feels powerless in their relationship because heâs in Massachusetts, where he moved with her blessing, the chance to work as a forensic psychologist at the Harvard-affiliated McLean Hospital too good to ignore.
âWhat were we thinking?â she says, no more steps, and she reaches for his hand. âIdealistic as ever, I suppose. And you could return a little energy with that hand of yours, as if you want to hold mine, too. For seventeen years weâve never lived in the same city, much less the same house.â
âAnd you donât think it can change.â He laces his fingers through hers, taking a deep breath.
âHow?â
âI suppose Iâve entertained this secret fantasy youâd move. With Harvard, MIT, Tufts. I guess I thought you might teach. Perhaps at a medical school or be content to be a part-time consultant at McLean. Or maybe Boston, the MEâs office. Maybe end up chief.â
âI could never go back to a life like that,â Scarpetta says, and they are walking into the hotelâs lobby that she calls Belle Ãpoque because it is from a beautiful era. But they are oblivious to the marble, the antique Murano glass and silk and sculptures, to everything and everyone, including Romeoâthat really is his nameâwho during the day is a gold-painted mime, most nights a doorman, and of late, a somewhat attractive and sullen young Italian who doesnât want any further interrogations about Drew Martinâs murder.
Romeo is polite but avoids their eyes and, like a mime, is completely silent.
âI want whatâs best for you,â Benton says. âWhich is why, obviously, I didnât get in your way when you decided to start your own practice in Charleston, but I was upset about it.â
âYou never told me.â
âI shouldnât tell you now. What youâve done is right and I know it. For years youâve felt you really donât belong anywhere. In a sense, homeless, and in some ways unhappy ever since you left Richmondâworse, sorry to remind