allow for that possibility.â
âWe do have a security guy at MoMA says he saw Grace Geyer talking with some man, away from the rest of the group. In the fourth floor painting and sculpture section.â
âBut he doesnât remember what the man looked like,â Quinn said.
âRight. We tried to find the guy on the security cameras, but had no luck there. And the guard says he couldnât pick the guy out of a lineup.â
âIf we get a suspect,â Quinn said, âhe sure as hell is going to try.â
âIâm going on Minnie Minerâs show tomorrow,â Renz said. âI wonât mention the security guard. Guyâs liable to leave town like a rocket.â
âIf heâs smart,â Quinn said. He didnât think the museum guard would be much of a help as a witness, but the killer wouldnât know that for sure. âIf we need him, we can reach out and get him. Whatever you tell or donât tell Minnie Miner, be careful with it.â
âSheâd really rather talk to you,â Renz said, sounding a little miffed.
âThat would just impede the investigation,â Quinn said, feeding Renz what he wanted to hear. Not that it wasnât the truth. âMaybe someday,â he said, âwe can use Minnie.â
âWeaver see you yet?â Renz asked.
âYeah. She filled us in on what the uniforms first on the scene had.â
âTell her what you know,â Renz said, âso I can know it.â
âYou bet,â Quinn said, and broke the connection.
The detectives were all staring at him, wondering if they had anything new to work with.
âWas that Renz?â Fedderman asked, unnecessarily.
âYeah. Grace Geyer was seen by a museum security guard talking with a guy in MoMA. They were standing away from the rest of the group.â
âMaybe trying to pick her up,â Fedderman said.
âOr just talking about brush strokes,â Sal said.
âYou ask Renz about Christy Mathewson?â Harold asked.
âWhile you and Sal are on the way to get verification statements from potential witnesses at the hotel,â Quinn said, âwhy donât you call Nift and see about this Mathewson thing.â Keep us from possibly looking stupid, now that youâve brought it up.
âGood idea,â Harold said. âTouch all the bases.â
Quinn gave him a look that might have meant he was perplexed or angry.
Sal said, âLetâs get out of here, Harold.â
They left, Sal thinking you really never knew for sure about Harold.
10
England, 1940
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T ucker could see the bombs slung beneath the planesâ fuselages as the pilots brought the Stukas in single file, bow to stern above the Sondra. He hoped the German pilots would consider the small fishing boat too minor a target to waste bombs on.
He got his wish, but that didnât rule out the machine guns mounted beneath the planesâ wings.
The little boat rocked this way and that as the captain attempted to zigzag. That helped some, but not much. A man in a French army uniform stood up near the bow and aimed his rifle at the incoming lead Stuka. He was cut nearly in half by machine gun bullets. Two of the crewmen hacked lines and launched a small dinghy the boat might tow, but no sooner had the dinghy hit the water than the crewmen both spun and dropped overboard beneath the hail of bullets. The boatâs grizzled old captain stepped halfway out of the pilothouse to yell some instruction, then fell in a red mist of blood.
Immediately after the first pass, the planes wheeled to the left, maintaining their single file line, as they maneuvered for another run at the boat. This time, as the first plane approached and the winking muzzle blasts of its guns became visible, men began diving and jumping overboard.
BEF Corporal Henry Tucker, huddled near the stern, decided it was time to abandon ship.
He scooped up his backpack,
Laramie Briscoe, Seraphina Donavan