Mom and Eloise, because Mr. Marconi reminded me about bingo, and if thereâs a bingo game going on, I want to know. Mr. Marconi might not like bingo, but for me, bingo is the one fun thing at the nursing home. I get to play for the people who canât play on their own, and I get to use a big fat bingo marker to make blue dots on B-11 or G-58 or whatever. When the prize cart comes around, I get to help whoever Iâm with decide between a piece of costume jewelry or a banana.
As Iâm walking back to Eloiseâs room, I see a lady come out of another room.
âBye for now, Mom,â the lady says. She sniffles and dabs a Kleenex to the corner of her eye. âBut Iâll be back tomorrow. By then, I bet the nurses will have you completely settled in.â
Whoeverâs in the room must be new, thatâs my guess. And her daughterâbecause thatâs who the lady must beâis worried about her because itâs her first day here.
I cross the hall, thinking Iâll tell the lady about bingo and crafts and all the other stuff they do here. Itâs actually not
that
bad. I just donât want to live here myself.
But she hurries off before I reach her. And thenâ
uh-oh
.
Mr. Marconi. He spots her, and his wrinkled hand goes to his joystick. With a zoom and a fast stop, he plants himself in front of her.
âHey, you,â I hear him say. He beckons her closer and speaks to her in his raspy voice.
The lady tucks away her Kleenex and says, âOf course, of course.â She walks in her high heels toward the emergency exit.
I chase after her. âUm . . . maâam? Lady?â I donât know what to call her!
Anyway, itâs too late. She pushes the âemergency onlyâ bar, and thereâs a buzz, and the metal door that says âemergencies onlyâ swings open! And this
is
an emergency, but only because the lady turned it into one! She didnât know, but still!
âMr. Marconi, wait!â I cry. âYou canât go out there!â
He hunches his shoulders and jams his joystick forward. I break into a run.
âStop him! Heâs not allowed!â I call.
Mr. Marconi is five feet away from the door. The lady who opened it for him looks confused.
Heâs four feet away. A nurse pops into the hall and calls to Mr. Marconi in a panicked voice.
Heâs three feet away, and
there is traffic outside
, and
a real live road with sidewalks and yellow lines and cars
.
The lady draws her hand to her mouth.
Heâs two feet away. One foot away.
Heâs going out the door
.
The nurseâs hands flutter in the air. âMr. Marconi! Mr. Marconi!â
She reaches the exit, but the doorway is too narrow to fit both a nurse and a man in a wheelchair.
The traffic-y road is
right there
, just outside the door.
I high-jump over Mr. Marconiâs wheelchair. It takes the highest jump ever to get over the armrest
and
his knees
and
his feet, and I stumble when I land.
âOut of the way!â Mr. Marconi yells. âOut of the way, out of the way!â
Owwee
, I think. But I turn toward him and brace myself. I do
not
get out of the way.
Bam!
goes his wheelchair, ramming into my shins.
He backs up and does it again.
Bam!
It HURTS, and I know Iâm going to have bruises.
Inside the building, people speak loudly and do frantic things with their hands. I spot Mom, who says, âTy?â
Mr. Marconi rams me again.
Ow!
I grab the armrests of his wheelchair. âMr. Marconi,
no
.â
We fight for the joystick. He has crazy-eyebrow power, but Iâm stronger.
The wheelchair stops.
I win.
Straining, I push him back into the building. The nurses flood around us, and Mom, and the lady. Everyone fusses over Mr. Marconi, but they also say, âThank you, little boy,â and âTy! What in the world?!â and âIf you hadnât been here, just think what could have happened!â
I put my hands on my