abstraction. But now, all at once, this assignment had become more than mere petrified bones and frozen flesh. In the space of an instant, the subject had turned to the here and now, and real grief, and warm blood and electric shock. And the change rattled the journalist.
She glanced over at Okuda and saw the incredulous look in the young scientistâs eyes. âI still donât understand how you can rule out coincidence,â he said after swallowing a gulp of lager and stifling a belch.
âTechnically youâre right,â Grove replied with another shrug, âbut the truth is, in this business you follow everything out to its logical conclusion.â
âBut whereâs the logic here?â
Grove regarded the watermarks on the stained tabletop. âAll we have right now is a connection, a visual connection, and thatâs all.â
âOkay . . . so?â
âWe might be dealing with some sort of ritual, some sort of cult thing that gets its inspiration from ancient man.â
Okuda looked away for a moment, thinking, and Maura saw something glint in the young Asianâs eyes. Grove saw it, too, but didnât comment. Okudaâs hands were trembling again. Grove wondered how a young man with such pronounced tremors could do delicate slide work at a microscope or finesse a brittle, priceless artifactâregardless of whether the shaking was a simple nervous tic or some kind of reaction to the current turn the conversation was taking.
âOn the other hand,â Grove said, âyouâve got to look at the possibility of a copycat situation.â
Maura perked up. âBut how would anybodyââ
âPictures have been published, correct? Photographs, maps, diagrams. Shots of the mummyâs position, the pose.â
Maura thought about it for a moment. âWhat are you saying? Some sicko saw the Iceman in Discover and decided to recreate the death over and over again?â
âItâs a possibility we have to look at.â
Okuda looked up at Grove. âWhat else?â
Grove let out a sigh. âWhat else? Well, thereâs the X-factor.â
âWhich means?â
âThe X-factor is a connection we havenât figured out yet.â
âWhat other possible connection could there be?â
âI donât know yet.â
âWeâre talking about the early Copper Age here,â Okuda reminded him.
âI understand thatââ
âThatâs six thousand years ago. Okay? They were just figuring out how to use the wheel.â
âIf you donât mind, what Iâd like you to do is tell me everything.â
Okuda looked at him. âWhat do you mean?â
âTell me about that time, and this guy, this Iceman, who he was, tell me everything.â
Okuda slumped as though he had just been asked to swim the English Channel with an anchor around his neck. âItâs kind of a big subject, Ulysses.â
Grove flashed his smile. âWeâre not going anywhere.â
They went through that first round of drinks pretty rapidly as Okuda described what the world was like six thousand years ago. The bar began to fill up with rowdy college kids, as well as grizzled townies looking to drown some sorrows on a lonely weeknight. The jukebox seemed to get louder and louder with each banal pop song, and Okuda had to strain his voice to be heard. He explained that the consensus among archaeologists was that the Iceman was European, or at least a native of Central Asia, who had reached the North American continent across the Bering Strait. From the tools found near his body, chances were good that he was a mountaineer. Maybe some sort of itinerant.
At some point, the waitress returned to ask if they wanted to order food. Nobody was hungry, but they did order another round of drinks. After the waitress had trundled off, Okuda said, âHe might have been a shaman, somebody who went from village to
Mark Russinovich, Howard Schmidt