also got the judgeâafter the last in-person press fiascoâto accept individual affidavits from Addie and me, saying we understand and accept blah-blah-blah. We donât have to go to court. Weâve been granted an interlocutory decree thatâll be final in a few months. Itâs all over. Weâve managed to give her a package consisting of everything she could think ofâshe gets the house, full custody of the dog (yes, Fluffy is mentioned in the divorce agreement by name and attached photo), she keeps full title to her businessâand that could be my revenge, if it keeps costing her what itâs cost me. And, of course, she gets my TV royalties. I pay her legal expenses, as well as my own. That one rankles. Like hiring the biggest bully in town and paying him top dollar to kick the crap out of you.
âI may be disbarred for being too efficient,â Nate Scanlon says. âWe lawyers, one of our favorite phrases is, âTime is of the essence.â But we usually take as much of it as we can.â He emits a deep contented sigh. âIâve never rammed a divorce through this fast.â
Is that a hint or what? I step up immediately.
âThanks, Nate. Santaâs gonna put something extra special in your stocking.â
I hang up. Tickled that Iâm now officially a pauper. Pending completion of the interlocutory wait. But itâs a binding deal. Neither of us can change the terms. Nateâs made that clear. So Addie may think sheâs fucked me overâbut now Iâm free to get on with my life.
As soon as Nate Scanlon can spring me from Burbank.
I reach for the open carton of Lucky Strikes on my dressing table, grab a loose cigarette, and scrounge around for my lighter. The gold-plated lighter I got for my twenty-seventh birthday. Inscribed, âHereâs looking at you, kid. Love, Bogie and Betty.â The lighterâs not here. Killer Lomax, I bet. He loves that lighter like itâs his own and it winds up in his pocket half the time. So he can torch my smokes for me during the day, he says. Sometimes it goes home with him overnight. That Killer, looking out for me even when heâs asleep.
The A.D. raps on the door. âFirst team,â he calls.
⢠⢠â¢
Itâs 7:30 when we quit. We came when it was dark and weâre leaving when itâs dark. Somebody once compared working on a TV series to fucking an eight hundred-pound gorilla. You decide when to start and the gorilla decides when to stop. Killer and I are in the backseat of the limo thatâll take us back to the studio lot so we can pick up our own cars. As we pass through the opening in the ropes, the diehard fans are still there, Reva among them. Tiny Reva. First autograph I ever signed was for her. The radio days. She was in junior high school then, must be eighteen, nineteen by now. Still looks like an adolescent elf. Her usual Prince Valiant haircut, dressed like a tomboy in dungarees, polo shirt, and sneakers. A small, earnest face that lights up when she sees me.
âHey, wave to Reva,â I tell Killer.
âYou wave to her,â he says. â Youâre the fuckinâ light of her life.â If only I knew then how prophetic his words were.
Weâre playing liarâs poker, me and Killer, using the serial numbers on dollar bills for our bids. Iâve got two pair. But I claim Iâve got a full houseâthree sixes and two nines. Heâs chicken to call me, he folds. So he loses. He usually loses. I say itâs because I can outbluff him using half my brain. He says itâs because he has to suck up to the boss. Heâs a sore loser. Always was. I get a kick out of that.
âGot a light?â I put a Lucky between my lips. Killer slaps his pockets, finally comes up with a pack of matches from the commissary. âWhereâs my lighter?â
He holds the match steady for me. âYou musta left it on the dressing