lunchtime. Marina was nose-deep in a book of poems by Allen Ginsberg, which seemed fitting. She was plugged into her iPod and seemed to have no clue Kelly was even there. Finally Kelly worked up the nerve to tap her on the shoulder.
Marinaâs head popped up and her eyes widened in surprise. She looked Kelly up and down, from her lavender top to her artfully frayed denim miniskirt. Finally, she took off her headphones and spoke. âMay I help you?â
She was polite, anyway. Kelly smiled her most electric, appealing smile. âDo you mind if I sit with you?â She was usually the queen of breezy and casual. Where had that slightly desperate edge to her voice come from?
âSuit yourself.â Marina returned to her reading.
So Kelly sat there, every bite of her salami sandwich tasting like dirt, watching the minutes crawl by on the clock and straining to think of something to say. It finally came to her.
âWhere did you get that nail polish? Iâve never seen anything like it.â
Marina laughed, which seemed encouraging. âYeah, and youâre not likely to.â She waved her ragged nails in front of Kellyâs face for closer inspection. âMy father owns an auto-body shop in Tucson. This is 1974 Buick Electra, Avocado Green.â
âItâs cool. Um, are you sure itâs okay to use that stuff on your nails? Theyâre pretty porous, you know. The chemicals can get absorbed right into your bloodstream. Thereâs a great store in the mall where I used to work that has like every nail polish color under the sun. I bet you could find something just like that. Or maybe mix one up.â
âDonât worry yourself. Iâve already got ink running through my veins.â Marina flashed an elaborately tattooed shoulder. Then she shut her book and picked up her spiked leather bag. âSee you around, Katie.â
Kelly sighed and scooped up her books. In two minutes flat, Marina had reduced her to a dorky, awkward nobody.
Â
Â
Kelly sat in the darkened art-history classroom, watching Andreaâs slide show. It wasnât fair that someone as stylish and together as Andrea was a teacher. Why werenât there any girls like her in the program? She hoped that Andreaâs smooth voice would soothe her jangled nerves and wounded pride.
This was one of the few classes in which she felt competent. Statue after statue, all smooth white marble and rippling lines, flickered across the screen. One statue of a young man, in particular, caught Kellyâs eye.
âThis sculpture is one of the best known in the world,â Andrea was saying. âDoes anyone know its name?â
Kelly raised her hand. âItâs Michelangeloâs David .â
âExactly,â Andrea said. âThank you, Kelly.â
âA lot of people recognize the statue,â Andrea continued. âBut very few recognize its unusual proportions.â Andrea pointed to the slide. âLook closely at the slide. What do you see?â
Kelly stared at the picture, scanning the statue from head to toe, and then as a whole. She spoke hesitantly. âHis head and shoulders are bigger than the rest of his body?â
Andrea smiled. âGood eye, Kelly. Michelangelo designed David to be slightly larger at the top. Art historians have several theories about his motives . . .â
As Andrea talked, Kelly began sketching in her drawing pad. She drew a quick outline of David âs body, then started drawing his face, emphasizing his eyes and the curls of his hair. When the lights came back up, she was still drawing away.
âNice technique.â Andrea leaned over her work, studying it carefully. âDo you sketch a lot?â
Kelly shrugged. âI guess so. I like to copy pictures out of magazines.â
âWell, keep it up. You have a good grasp of composition and layout. Iâd love to see more in studio arts.â
Kelly left the classroom