makes me old enough to be my father. Of course, my father was cast as the victim. The innocent violated by the foreign seductress who sank her teeth into him to get a visa. I’ll probably never know the truth, unless I get rich enough to hire a private detective. I guess there must be money in his family, for him to be patronising hostess bars at my tender age, and to pay to clean up the stink of such a scandal so thoroughly. I’d like to ask him what he and my mother felt for each other, if anything.
One time I was sure he’d come. A cool guy in his late thirties. He wore desert boots and a dark-tan suede jacket. One ear was pierced. I knew I recognised him from somewhere, but I thought he was a musician. He looked around the shop, and asked for a Chick Corea recording that we happened to have. He bought it, I wrapped it for him, and he left. Only afterwards did I realise that he reminded me of me.
Then I tried calculating what the odds against a random meeting like that were in a city the size of Tokyo, but the calculator ran out of decimal places. So I thought perhaps he’d come to see me incognito, that he was as curious about me as I was about him. Us orphans spend so much time having to be level-headed about things that when we have the time and space to romanticise, wow, can we romanticise. Not that I’m a real orphan, in an orphanage. Mama-san has always looked after me.
I went outside for a moment, to feel the rain on my skin. It was like being breathed on. A delivery van braked sharply and beeped at an old lady pushing a trolley who glared back and wove her hands in the air like she was casting a spell. The van beeped again like an irritated muppet. A mink-coated leggy woman who considered herself extremely attractive and who obviously kept a rich husband strode past with a flopsy dog. A huge tongue lolled between its white teeth. Her eyes and mine touched for a moment, and she saw a high school graduate spending his youth holed up in a poky shop that obviously nobody ever spent much in, and then she was gone.
This is my place. Another Billie Holiday disc. She sang ‘Some Other Spring’, and the audience clapped until they too faded into the heat of a long-lost Chicago summer night.
The phone.
‘Hi, Satoru. It’s only Koji.’
‘I can hardly hear you! What’s that racket in the background?’
‘I’m phoning from the college canteen.’
‘How did the engineering exam go?’
‘Well, I worked really hard for it . . .’ He’d walked it.
‘Congratulations! So your visit to the shrine paid off, hey? When are the results out?’
‘Three or four weeks. I’m just glad they’re over. It’s too early to congratulate me, though . . . Hey, Mum’s doing a sukiyaki party tonight. My dad’s back in Tokyo this week. They thought you might like to help us eat it. Can you? You could kip over in my sister’s room if it gets too late. She’s on a school trip to Okinawa.’
I ummed and ahed inwardly. Koji’s parents are nice, straight people, but they feel it’s their responsibility to sort my life out. They can’t believe that I’m already content where I am, with my discs and my saxophone and place. Underlying their concern is pity, and I’d rather take shit about my lack of parents than pity.
But Koji’s my friend, probably my only one. ‘I’d love to come. What should I bring?’
‘Nothing, just bring yourself.’ So, flowers for his mum and booze for his dad.
‘I’ll come round after work then.’
‘Okay. See you.’
‘See you.’
It was a Mal Waldron time of day. The afternoon was shutting up shop early. The owner of the greengrocers across the street took in his crates of white radishes, carrots and lotus roots. He rolled down his shutter, saw me and nodded gravely. He never smiles. Some pigeons scattered as a truck shuddered by. Every note of ‘Left Alone’ fell, a drop of lead into a deep well. Jackie McLean’s saxophone circled in the air, so sad it could