sit in a fairy ring of champignons with Edgar by my side. I shall work for LâHomme Femme, sit for her every day, maybe find a model of my own and put the energy of loving into drawing. I will paint her in this room, emaciated, etiolated by spiritual anguish and love, and I will present it to him with the words: This is what you did to me, Monsieur Rodin, this is what you did to me.
Elizabeth
Cuckooâs Nest
Doctor Kharana looks at me like butter wouldnât sizzle, but I know better, the randy bastard. Saw him pinching Nurse Tinkerbellâs bottom in the corridor only this morning. They think I donât notice, they think Iâm just a dot-to-dot old bint reading my book about Italy and the vineyard and the skeleton of the whale theyâve just found beneath the vines and poor old Chiara, whose husband is a philanderer. Sheâs a common little darter, Nurse Tinkerbell; Peter Panâs read up on her in his dragonfly book. He knows the language of dragonflies. And crickets. And toadstools. My son is a globe skimmer apparently, and Iâm a banded demoiselle â thatâs right, a banded demoiselle. Iâve lived most of my life underwater as a nympho from what I can gather.
âAre you happy here, Elizabeth, at High View House?â
Hell yes, wouldnât you be? Three meals a day, shit when I need to, stephanotis whoâs swallowed a clock, and an emaciated stink for company. Pen pal on death row for murdering his girlfriend, husband who fucked off down the autobahn just sitting in his chair, children who behave like Icarus without the scorch marks and the downward descent, and a granddaughter in some old Etonian mess and a view of Caldey Island and the sea. Yippee. Lucky me. Lucky old effervescent-vitamin-C-to-perk-you-up-a-bit me.
âDo you get confused sometimes between what is real and what is not?â
Heavens, yes, of course I do. I donât even know where I lived my life. Was it out there in the streets and the suburbs, in the rain, in little rooms? Or was it here in the hippocampus of my head complete with safari tent and gear? Does it really matter anymore? My life still goes on like a television set, I take my KitKat tea breaks in the synapses of my brain.
âItâs quite normal at your age to get confused, to have one or two aches and pains,â he smiles, though his eyes are cold as Dairylea straight from the fridge, and even though itâs spreadable it still rucks up the bread. âNow that youâre in your twilight years.â
Twilight, yes, when you can barely see or be seen. When you flit home from one lit window to the next until you reach your very own. When weâre not quite light yet not quite dark, not quite lit yet not quite extinguished. Crepuscular, in fact, like Nurse Tinkerbellâs face at the exit door as Doctor Kharana shakes his head and announces for the benefit of my twilight ears, âShe hasnât said a word.â
I shout suddenly, red and blustering as a bare-cheeked gale, âIâm fine, Doctor Kharana, absolutely fine. Why donât you check on Peter and his calorific intake instead. Have you seen him recently? Heâs shrivelled as a pea.â
Nobody says a word. The birds outside are louder than us. They have a bit of song left in them. I slump, and guilt engulfs me with my pillow. Oh, to be smothered by Chief in One Flew Over the Cuckooâs Nest , to follow him out, out through the broken window, the open window, the hippo decamped for good.
Gwen
Rape
I paint Fenella in my room. Sheâs vulnerable in the waning light like a fawn that lingers too long by the edge of the lake, like Leda half dreading, half anticipating her rape. I start with slow smudges of curl, delicate feathery strokes from mid-air, building up skin, pigment, flesh on canvas. Her shoulders are bare, sloping, angular. My paintbrush undresses her further, unties the black sash from about her waist, lets the pretty white
Stella Noir, Roxy Sinclaire