the periodical rooms, reading about Frank Ritter and Templar International and Margrave Corporation and Avalon State Bank, and dropping dimes into the Xerox machine. Fortunately, Andy Kelp had one time showed her the quiet way to get dimes back out of such machines, so the day wasnât as expensive as it might have been. But it was exhausting, much more so than her normal day standing at the cash register.
Back in the living room, May sat in the most comfortable chair, put her feet up on a puffy hassock, sipped her coffee, and watched Dortmunder poke at the pictures with his cane. âYou donât look happy,â she told him.
âGood,â he said. âIf I looked happy, itâd be a bad sign. That guy Chepkoff phoned this afternoon.â
âWhich guy was that?â
âThe one sent me for the caviar. He paid three hundred on account, you know.â
âOn account?â
âOn account we wouldnât do the job otherwise. So now he called, he wants his three hundred back. I told him, âWe all take risks in this. You it cost three hundred, me it cost a sprained ankle, OâHara itâs probably gonna cost about eight years.â He argued with me, so I hung up on him. The guyâs crazy.â
May said, âJohn, do you want to hear about Frank Ritter?â Without waiting for an answer, she went on, âI just spent all day at the library, with a lot of people in overcoats and asleep and scratching their arms and looking at pictures of naked statues. I was learning all about Frank Ritter. Do you want to hear about Frank Ritter?â
Dortmunder looked at her in some surprise. âIâm sorry, May,â he said. âYouâre right, yeah. I want to hear about Frank Ritter.â
May didnât like to be short-tempered. Taking a deep breath, she said, âAll right.â
Dortmunder said, âYou arenât smoking.â
âI gave it up.â
âYou what? â
âI was thinking about it from time to time,â she said. âRemember how, whenever there was a letter in the New York Times from somebody with the Tobacco Institute, I always used to clip it out and keep it for a while?â
âScotch-tape them on the mirror sometimes,â Dortmunder agreed. âFreedom of choice and all that.â
âSure. Then did you notice, a while back, how I stopped clipping those letters out?â
âNo, I didnât,â Dortmunder said. âBut itâs tough to notice somebody not doing something.â
âThatâs true. Anyway, it occurred to me, I donât write letters to the New York Times and you donât write letters to the New York Times .â
âWell,â Dortmunder said, âweâre not in business with the public, like the tobacco people.â
âThe ketchup people donât all the time write to the New York Times ,â May pointed out. âThe beer people donât, the pantyhose people donât. All the people that write to the New York Times is South African spokesmen and the Tobacco Institute.â
âAnd people from out of town that lost their wallet in a taxi,â Dortmunder reminded her, âand the cabby brought it back to them at the hotel, and they never knew New Yorkers were such nice people.â
âWell, those letters,â May said. âWhat bothers me about those letters is, most cabbies arenât New Yorkers, theyâre from Pakistan. But the Tobacco Institute letters, what bothers me about those is, why talk so much unless youâve got something to hide?â
âThat makes sense,â Dortmunder said.
âSo I kept thinking, maybe Iâd give it up for a while,â May said, âbut I could never seem to get a start on it. But I was in the library now, six hours steady in there, and thereâs No Smoking, and I was so distracted by Frank Ritter and the Xerox machines and the people sticking matches in their ears and