forth?â Of course, a wooden boat is a lot of work.
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Monica Faithful My idea was that maybe Sam and Charlesie could own the boat together. I thought it would be a bonding thing. And I worried about Charlesie letting the boat go to seed; Iâd rather see it sold out of the family than that. It took Charlesie a week flat driving Daddyâs beloved old Nashcan before heâd broken an axle hot-rodding down the French Camp Road.
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Eleanor Applegate The situation was a little tense. I know Monica hadnât forgotten the time Papa gave Charlesie his Nash. Not that the car was worth anything at that point; you could total it by losing the key. But I donât think she realized that that was years ago, Charlesie has grown up a lot. And I donât believe Edie cares about the boat. If Monica wants it for Sam and Sylvieâwell, theyâre not Papaâs blood. You know? It doesnât seem exactly right to me.
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Jimmy Moss They were trying so hard not to say offensive things out loud about each otherâs children that I thought we might sit there staring at each other all afternoon. So Isaid, âWhy doesnât Charlesie take care of the starboard side and Monicaâs children take the port side?â Nobody laughed. Then Eleanor said, âAll right. Iâll take the chandelier.â We all looked up at it and I could imagine Josslyn swearing because she hadnât put the chandelier on her list.
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Nora Applegate I became the family archivist. Mother said sheâd pay me to set up a system and sort all the mystery photographs, the old letters (there were trunkfuls in the attic), the scrapbooks, all that. Charlesie and I spent the afternoon of the lottery in the playroom; he was taking photographs of great-great-uncle so-and-so out of crumbly old frames nobody wanted. Aunt Josslyn was with us for a while. She came up with a picture of a family on a porch in what looked like Maine. Summer, anyway. I didnât recognize anybody. Granny Syd would have known in a minute all about itâ¦there was so much I wish weâd asked her when we could have.
In this picture thereâs a man with big mustaches standing with a violin in his hand, his wife (Iâm guessing) sitting in front of him and a girl of about eighteen and a boy whoâs maybe ten. Theyâre all in their Sunday best and looking grim, the way they do in old pictures where they had to hold still a really long time. It was Josslyn who noticed that the mother is wearing Granny Sydâs topaz ring. But who were they? Why do we have their picture?
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Eleanor Applegate Of course, in retrospect I understand why Monica was such a mess that weekend. I donât know how much she knew about Norman at the time, but certainly she knew something. Even if she didnât know she knew. We did get through the lottery afternoon, but therewas still one big elephant in the living room. What were we going to do about the summerhouse? Bobby and I have our own house in Dundee. If it were up to us, weâd sell Leeway Cottage and use our share of the money to build a guesthouse, for when our children get married and have children of their own. But selling Leeway would leave Monica no place in Dundee, and itâs important to all of us that weâre all three there. Meanwhile Josslynâs started referring to Leeway as âthe family homestead.â Her way of saying itâs her childrenâs mess of potage more than Monicaâs stepchildrenâs. And probably that sheâd like it all for herself, if she had her druthers.
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Monica Faithful I was terrified Eleanor would force the issue. But Jimmy came to the rescue. He said, âLetâs just try to share Leeway this summer as if Mother and Papa were still alive. Itâs big enough. If it doesnât work, weâll rethink it after Labor Day.â
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Bobby Applegate A recipe for total disaster if you ask me. But nobody