and slings it around to his back. He hops down from the small stage.
âThanks, but I donât think this crowd is filled with big tippers,â she says.
âNo problem, whatâs up?â
Connie jerks her thumb toward the back of the bar. âCreepy ass dude back there wants to buy you a drink or something.â
âSuuure,â Michael says. He looks in the direction that Connie is pointing. There is, indeed, a man in an overcoat lurking along the back wall. He goes in and out of the shadow so Michael canât see his face.
âDid he say what he wanted?â Michael asks.
Connie shrugs. âSomething about clown school, gotta go.â She turns and leaves as Michael searches for the man in the shadows. As Michael stares, the man steps into a pool of light just long enough to wave. It is Monty Reigns.
Michael sneers and heads in the direction of Monty. From the stage Mona turns in time to see Michael leave.
âMichael! You want a beer?â she asks. Michael does not turn. He canât. Ricky sidles up to Mona and watches Michael beeline through the bar. He sighs.
âHere we go again.â Ricky shakes his head as Mona glares at him. Skeezer pulls the mask off and squints in Michaelâs direction.
âHey, ainât that the TV guy?â Skeezer asks.
âLooks like it,â Ricky answers.
âWonder what he wants with Michael,â Skeezer asks. Neither Ricky nor Mona answer. After a moment he shrugs, no longer interested.
âWhatever. I need booze. And a hand job. You seen Connie?â
Ricky is deep in thought as he stares at Michael and Monty. Mona hops down from the stage without a word and goes after Michael. After a deep breath, Ricky follows her. Skeezer watches them leave and throws his hands in the air. He turns toward the bar area and grabs his crotch.
âConnie! Awooooo!â
Michael steps up to Monty, backing the older man against the wall. Monty holds the picture of Michael as a boy in front of him like a ward against evil. Michael shoves Montyâs chest, thumping loudly each time.
âYou leave me the fuck alone, all right? Itâs over!â Michael growls.
Monty swats Michaelâs hand away and shoves the picture in his overcoat pocket.
âCanât do it, kid. Did you see the show tonight? Jesus, they ate it up. This is big time news. Look, this kind of exposure couldâ¦â
Michael grabs the lapels of Montyâs coat and slams the TV star into the back wall. Michaelâs size belies his strength and Montyâs wind is knocked out.
âThis is my life! I wonât do this, man. It is a big fucking mistake for you to bring me back into this Oâ¦Oâ¦Orzo shit, all right?â Michael can barely get the name out. Monty gasps for air, but notices it. He smiles.
âTooâ¦lateâ¦â
Michaelâs face twists in anger. Accented by the make-up he looks like a demented mime. He raises his fist and rears back, ready to blast a hole through Montyâs head.
Mona catches Michaelâs arm. He turns and glares at her. Mona is taken aback by Michaelâs reaction; sheâs never seen him this angry. Michael sees how scared she is and drops his arm. He points his finger directly in Montyâs face.
âThis is bad news for you, motherfuckerâ¦bad newsâ¦â Michael shakes off Monaâs arm and storms toward the exit doors. Watching Michael retreat, she turns back to Monty, ready to say something, but nothing escapes aside from a frustrated âuugh.â
She turns from Monty and follows after Michael.
Monty attempts to catch his breath and rubs his neck. He looks toward the exit doors when Ricky steps up. Monty catches the approaching zombie in the corner of his eye and reflexively covers up expecting another attack.
âCalm down man, Iâm not gonna hit you. Iâm the guy that you talked to, okay?â Ricky says. Monty nods, grateful no one else wants to
Steve Miller, Sharon Lee and Steve Miller
Robert Jordan, Brandon Sanderson