suspicious, to get rental movies before they were even in the rental shops.
“What's goin' on, Mom?" Mike asked.
“Mother! I was supposed to go to Jenny's after school and Gram said you wouldn't let me," Katie complained.
Jane cast a black look at Thelma, who was smiling fondly on her grandchildren.
“I'll explain on the way home. Get your things," Jane said. "Thelma, I don't know how to thank you for your support."
“It's the least I can do, Jane. After all, they
are
my own flesh and blood."
“As she drove home ("No, Mike, my nerves are too frayed to ride with you in rush-hourtraffic."), she explained to them what had happened in the most innocuous way she could. Her aim was to make the murder sound like a pure freak of nature that would almost instantly be sorted out, with no danger to them whatsoever. But in her own mind she was deeply troubled. If somebody could commit murder in Shelley's house, they could do it in hers. The first thing she was going to do when she got home was check all the locks.
The kids, however, weren't upset. They were fascinated by the idea of a real live murder next door. To them, it was an adventure, impersonal and exciting, like something on television. Tomorrow they'd be the center of attention at school, famous for their proximity to something so out of the ordinary. They hadn't known the victim, so they had no sense of personal loss. Nor had they had the misfortune of actually viewing death, as Jane had. Best of all, they showed no signs of making any connection with their father. They'd grieved him properly at the time, and still missed him, but this didn't appear to be reactivating their distress, as it had with her.
They're so damned resilient,
Jane thought.
It must come from having no sense of their own mortality yet.
Shelley came to dinner, and in front of the kids neither she nor Jane discussed the afternoon's events. Todd turned up, filled to the brim with a double cheese Whopper and fries and content to listen to Mike and Katie's account without taking much interest. Eventually they all wandered off to their separate pursuits, and Jane and Shelley were left to sit over the remnants of the makeshift dinner.
“You'll stay here tonight?" Jane said. It was halfway between an invitation and an order.
“Thanks, I'm planning to. Mary Ellen Revere invited me to stay at her house and I lied and said I'd already agreed to stay here. I know I've got to get it over with, sleeping in that house, but not until Paul gets back tomorrow. He tried to get a flight tonight and couldn't. I called my sister and told her that, if this isn't solved by the time they're ready to come back, I want her to keep the kids a little longer. Jane, why do you suppose this happened?"
“I have no idea. I guess it could have been someone that woman knew."
“But why? And how would the killer have known she was at my house? As I understand it,
she
didn't even know where she'd be until she reported in to work early this morning. The Happy Helper man called a while ago. He said she's a 'floater,' a worker with no regular assignment but to fill in. Like a substitute teacher."
“Well, there's always the wandering maniac theory. That's what Thelma thinks — somebody whose lack of moral fiber pushed them over the brink."
“The next stage after growing hair on the palms of your hands? Murdering cleaning ladies? Forget wandering maniacs. You know as well as I do this is a neighborhood of devoted snoops. You can't even go for a walk without somebody alerting the police. If you aren't decked out like a full-fledged jogger, you're assumed to be a criminal. How would this maniachave cruised around the neighborhood without being noticed?"
“You know what you're saying, don't you? That it had to be someone familiar. Someone from the neighborhood.”
Shelley's eyes widened. "Not necessarily, Jane. It could have been someone who looked like they had business around here. A TV repair truck or a Sears van or a
Carol Durand, Summer Prescott