legs and slipped her shoes back on. âOh, and to bring snacks to Mass, but not things that crunch.â She began to tell Nicholas about her fatherâs inventionsâones that had succeeded, like the automatic spinning carrot peeler, and ones that hadnât, like the canine toothbrush. In the middle of her reverie she cocked her head and looked at Nicholas. âHe would like you,â she said. âYes.â She nodded, convincing herself. âHeâd like you very much.â
âAnd whyâs that?â
âBecause of what you have in common,â Paige said. âMe.â
Nicholas ran his hands around the edges of the steering wheel. âAnd your mother?â he said. âWhat did you learn from her?â
He remembered after he said it what Paige had told him about her mother at the diner. He remembered when it was too late, when the words, heavy and stupid, were hanging almost palpably in the space between them. For a moment Paige did not answer, did not move. He would have thought she hadnât even heard him, but then she leaned forward and switched on the radio, blasting the music so loudly she could only have been trying to crowd out the question.
Ten minutes later, Nicholas parked in the shade of an oak tree. He got out of the car and walked around to Paigeâs side to help her, but she was already standing and stretching.
âWhich one is yours?â Paige asked, looking across the street at several pretty Victorians with white picket fences. Nicholas turned her by her elbow so that she would notice the house behind her, a tremendous brick colonial with ivy growing on its north side. âYouâve got to be kidding,â she said, shrinking back a little. âAre you a Kennedy?â she murmured.
âAbsolutely not,â Nicholas said. âTheyâre all Democrats.â He walked her up the slate path to the front door, which, he thanked God, was opened not by the maid but by Astrid Prescott herself, wearing a wrinkled safari jacket, three cameras slung around her neck.
âNich- olas , â she breathed. She threw her arms around him. âIâve just gotten back. Nepal. Amazing culture; canât wait to see what Iâve got.â She patted her cameras, caressing the one on top as if it were alive. She pulled Nicholas through the doorway with the force of a hurricane, and then she took Paigeâs small, cold hands in her own. âAnd you must be Paige.â She pulled Paige into a breathtaking mahogany-paneled hallway with a marble floor that reminded her of the Newport mansions she had seen when visiting RISD as a junior. âIâve been back less than an hour, and all Robertâs told me about is this mysterious, magical Paige.â
Paige took a step back. Robert Prescott was a well-known doctor, but Astrid Prescott was a legend. Nicholas didnât like to tell acquaintances he was related to âthe Astrid Prescott,â which people said with the same reverent tone theyâd used a hundred years before to murmur âthe Mrs. Astor.â Everyone knew her story: the rich society girl had impetuously given up balls and garden parties to toy with photography, only to become one of the best in the field. And everyone knew Astrid Prescottâs photography, especially her graphic black-and-white portraits of endangered species, whichâPaige noticedâwere placed haphazardly throughout the hall. They were haunting photos, shadows and light, of giant sea turtles, bird-wing butterflies, mountain gorillas. In flight, a spotted owl; the split of a blue whaleâs tail. Paige remembered a Newsweek article sheâd read some years ago on Astrid Prescott, who was quoted as saying that she wished sheâd been around when the dinosaurs died, because that would have been quite a scoop.
Paige looked from one photograph to another. Everyone had an Astrid Prescott calendar, or a small Astrid Prescott day