Cigaret. What promise had Hosteen Tso made to his father? Taking care of a secret, Mrs. Cigaret had said. Keeping something safe. Tso hadn’t told her the secret, but he might have told her much more than Feeney had let her report. And the sand paintings. Plural? More than one? Leaphorn had played that part over and over and she had clearly said “somebody had walked across some sand paintings.” But there would be only a single sand painting existing at any one time at any curing ceremonial. The singer prepared the hogan floor with a background of fine sand, then produced his sacred painting with colored sands, and placed the patient properly upon it, conducted the chants and rituals, and then destroyed the painting, erased it, wiped away the magic. Yet she had said “some sand paintings.” And the list of Holy People desecrated had been strange. Sand paintings recreated incidents from the mythic history of the Navajo People.
Leaphorn could conceive of no incident which would have included both Gila Monster and Water Monster in its action. Water Monster had figured only once in the mythology of the Dinee—causing the flood that destroyed the Third World after his babies had been stolen by Coyote. Neither Gila Monster nor Talking God had a role in that episode. Leaphorn shook his head, wishing he had been there for the interrogation. But even as he thought it, he recognized he was being unfair to the FBI man. There would be no reason at all to connect incongruity in a curing sing with cold-blooded killing. And when he had talked to Listening Woman, Feeney had no way of knowing that all the more logical approaches to the case would dead-end. By the time Leaphorn pulled the carryall onto the bare packed earth that served as the yard of the Short Mountain Trading Post, he had decided that his own fascination with the oddities in Mrs. Cigaret’s story was based more on his obsession with explaining the unexplained than with the murder investigation. Still, he would find Mrs. Cigaret and ask the questions Feeney hadn’t asked. He would find out what curing ceremonial Hosteen Tso had attended before his death, and who had desecrated its sand paintings, and what else had happened there. He parked beside a rusty GMC stake truck and sat for a moment, looking.
The FOR SALE sign which had been a permanent part of the front porch was still there. A midnight-blue Stingray, looking out of place, sat beside the sheep barn, its front end jacked up. Two pickups and an aging Plymouth sedan were parked in front. In the shade of the porch a white-haired matriarch was perched on a bale of sheep pelts, talking to a fat middle-aged man who sat, legs folded, on the stone floor beside her. Leaphorn knew exactly who they were talking about.
They were talking about the Navajo policeman who had driven up, speculating on who Leaphorn was and what he was doing at Short Mountain. The old woman said something to the man, who laughed—a flash of white teeth in a dark shadowed face. A joke had just been made about Leaphorn. He smiled, and completed his quick survey. All was as he remembered it. The late-afternoon sun baked a collection of tired buildings clustered on a shadeless expanse of worn earth on the rim of Short Mountain Wash. Leaphorn wondered why this inhospitable spot had been chosen for a trading center. Legend had it that the Moab Mormon who founded the store about 1910 had picked the place because it was a long way from competition. It was also a long way from customers. Short Mountain Wash drained one of the most barren and empty landscapes in the Western Hemisphere. Legend also had it that after more than twenty hard years the Mormon became involved in a theological dispute concerning plural wives. He had picked up his own two and emigrated to a dissident colony in Mexico.
Mcginnis, then young and relatively foolish, had become the new owner. He had promptly realized his mistake. According to the legend, about thirty days after the