“it changes everything. The whole structure of the world, politics, money, religion, culture, everything that used to be human. Allthose changes are your responsibility, they benefited you, they happened because of you. You have to work hard so that the polity can manage. Good citizenship is a lot of work. It needs a lot of self-sacrifice.”
“Sure,” said Brett, and laughed. “I forgot about those parts.”
Brett led her into a mall—a nexus of junk shops near the Haight. There was a good crowd in the place, warming the benches, window-shopping, sipping tinctures in a café. A couple of cops in pink jackets sat on their bicycles, people-watching. For the first time in many years, Mia found herself catching a suspicious glance from a police officer. Because of the company she kept.
“Do you know this part of town?” Brett said.
“Sure. See that collectors’ shop? They sell old media bric-a-brac, I buy paper-show things from them sometimes.”
“Wow,” Brett marveled, “I always wondered what kind of people went into that weird old place.… ”
Brett ducked into a dark, tiny store, a redwood-fronted hole in the wall. It sold rugs, blankets, and cheap jewelry. Mia had never been inside the place in her life. It smelled strongly, almost chokingly, of air-sprayed vanilla. The walls were densely overgrown with deep green moss.
A tabby cat was asleep on the shop counter, sprawled lazily across the glass top. There were no human beings in sight. Brett made a beeline for a dress rack crammed in the corner. “Come see … see, this is all my stuff.”
“All of this?”
“No, not everything on this rack,” Brett said, sorting nimbly through the garment rack, “but this one is my design, and this one, and this one here.… I mean, I concepted these, it was Griff who instantiated them.” Mia perceived from the sudden angry crease on Brett’s smooth brow that Griff was the erring boyfriend. “This older guy, Mr. Quiroga, he’s the owner. We kind of cut a deal with him to carry our stuff.”
“They’re very interesting designs,” Mia said. They were very peculiar.
“You like them, really?”
“Of course I do.” Mia pulled a red jacket from its hanger. It was made of a puffy spun plastic with tactile properties somewhere between leather, canvas, and some kind of chewable gelatin candy. Most of the jacket was candy-apple red, but there were large patches of murky blue on the elbows, neck, and hem. It had a lot of fat buttoned pockets, and a waterproof red rain hood crushed down inside a lumpy collar.
“See how well it holds its shape?” Brett boasted. “And it doesn’t even have batteries. It’s all in the cut and the weave. Plus the Young’s modulus of the fiber.”
“What’s it made of?”
“Elastomers and polymers. A little woven ceramic for the high-wear spots. See, it’s durable all-weather street-wear, just right for travel! Try it on!”
Mia slipped her arms through the padded sleeves. Brett busied herself tugging at the shoulders, then zipped it up to Mia’s chin. “It fits great!” Brett declared. It did no such thing. Mia felt as if she’d been stuffed into a monstrous fruitcake.
Mia stepped before a narrow full-length mirror in another corner. There she saw a stranger improbably swaddled in a garish candied jacket. Maya the Gingerbread Girl. She put on her sunglasses. With the glasses, and with sufficiently bad light, she might almost look young—a very tired, puffy, sickly young woman in a kid’s ridiculous jacket. Wearing improbably tidy, adult, and conservative slacks and shoes.
Mia jammed her fingers through her hair, shook her head, and destroyed her coiffure.
“That helps,” she said, peering at the mirror.
Brett was surprised, and laughed.
“What a lovely jacket. What else could I ever need?”
“Better shoes,” Brett told her very seriously. “A skirt.Long earrings. No purse, get a backpack. Real lipstick, not that medicated little-old-lady stuff.
Skeleton Key, Ali Winters