it?â
âIâm pretty tired of tact,â Kate said. âItâs mostly a technique useful to those trying to get away with something.â She looked at her watch. âIâd like a drink. Can I offer you something? Iâm having Scotch, but you can have whatever you want. It is well after five.â
â âAnd as the sun sinks my thirst rises.â I had an uncle who used to say that. If you donât mind, Iâll wait till Iâve gotten through these notes and heard what you have to say. Iâve got to go and see these professors, and itâs absolutely new terrain for me. Maybe after Iâve talked to you, I wonât sound quite so ditsy. Itâs not exactly in my usual line of work.â
âPerhaps youâll make a specialty of it when this case is over,â Kate said. She went across the room, where there was liquor and ice and everything, and made herself a drink. I agreed to have a glass of seltzer, and settled down. I hoped Scotch didnât affect her too much, but what the hell. At least she made me feel welcome. Bannyâs eyes followed Kateâs passage across the room, but Banny didnât move; Kate wasnât going anywhere.
Kate sipped her drink. âClaire Wiseman told me that the department sounded like a business the owners were trying to wrest from one another. She seems to know someone who used to work there, and her tales are pretty harrowing, Claire says. Not that Iâve ever been an admirer of small colleges in the countryside; thereâs far too much togetherness and far too much interest in one anotherâs lives. In a university in New York City, like mine, we all go home at night and fade into a different, largely private world. Certainly there are departmental struggles, but they arenât each professorâs whole life. Also, small departments are either pleasant or hell. Tell me about this oneâthe details, I mean. I know you canât make any judgments yet.â She took another sip and sat back, all attention.
I took a deep breath and peered at my notes, though I had them by heart. It does no good to sound too knowledgeable before those who may offer information; itâs best if they feel themselves to be the authority in the matter, which of course they usually are, to some extent. I didnât act differently with Kate.
âItâs a department of ten professors,â I reported, âsix tenured, four not. Divided, as I suppose all English departments are, into periods, or maybe they should be called fields, or areasâIâm not too clear on that. Anyway, the periods or fields, in no particular order, are Victorianâwell, there is a particular order here, because that was Haycockâs field, and heâs the reason weâre talking about all this. I know you said most professors arenât given to murder, but are English departments more given to murder than most?â
âNot as far as I know,â Kate said. âThe only act comparable to murder I know of personally was a suicide. A new assistant professor was found to have plagiarized his dissertation and his book; he killed himself before the matter went far, thus proclaiming his guilt, or so everyone thought. Thatâs about it. Do go on.â
âWell, in addition to Victorian, we have American, ModernâIâm not sure what that is, exactlyâ Medieval, Renaissance, Romantics/Seventeenth Century, Eighteenth Century, and something Comparative. Most of these have a full professor attached to them, lord of all he surveys, so to speak.â
âThatâs a new and insightful way to put it,â Kate said. âGo on.â
âThe leftover fields are covered by assistant professors. Sometimes one of these chaps, or an assistant professor, teaches the novel. Thereâs also a part-time person who teaches creative writing, which, I gathered, is there to bring in the money from people in the
Gary Pullin Liisa Ladouceur
The Broken Wheel (v3.1)[htm]