I Am a Strange Loop

I Am a Strange Loop by Douglas R. Hofstadter Read Free Book Online Page B

Book: I Am a Strange Loop by Douglas R. Hofstadter Read Free Book Online
Authors: Douglas R. Hofstadter
Tags: science, Philosophy
maybe (as for IQ) going as high as 150 or 200 hunekers in rare cases, and down to 50 or lower in others?
    If that’s how things are, then I retract my reflexive claim that you and I, dear reader, share 100 hunekers of souledness. Instead, I’d like to suggest that we both have considerably higher readings than that on the hunekometer! (I hope you agree.) However, this is starting to feel like dangerous moral territory, verging on the suggestion that some people are worth more than others — a thought that is anathema in our society (and which troubles me, as well), so I won’t spend much time here trying to figure out how to calculate a person’s souledness value in hunekers.
    It strikes me that when sperm joins ovum, the resulting infinitesimal bio-blob has a soul-value of essentially zero hunekers. What has happened, however, is that a dynamic, snowballing entity has come into existence that over a period of years will be capable of developing a complex set of internal structures or patterns — and the presence, to a higher and higher degree, of those intricate patterns is what would endow that entity (or rather, the enormously more complex entities into which it slowly metamorphoses, step by step) with an ever-larger value along the Huneker soul-scale, homing in on a value somewhere in the vicinity of 100.
    The cone shown on the following page gives a crude but vivid sense of how I might attach huneker values to human beings of ages from zero to twenty (or alternatively, to just one human being, but at different stages).

    In short, I would here argue, echoing and generalizing the provocative statement by James Huneker, that “souledness” is by no means an off–on, black-and-white, discrete variable having just two possible states like a bit, a pixel, or a light bulb, but rather is a shaded, blurry numerical variable that ranges continuously across different species and varieties of object, and that also can rise or fall over time as a result of the growth or decay, within the entity in question, of a special kind of subtle pattern (the elucidation of whose nature will keep us busy for much of this book). I would also argue that most people’s largely unconscious prejudices about whether to eat or not to eat this or that food, whether to buy or not to buy this or that article of clothing, whether to swat or not to swat this or that insect, whether to root or not to root for this or that species of robot in a sci-fi film, whether to be sad or not to be sad if a human character in a film or a novel meets with a violent end, whether to claim or not to claim that a particular senescent person “is no longer there”, and so forth, reflect precisely this kind of numerical continuum in their minds, whether they admit it or not.
    You might wonder whether my having drawn a cone that impenitently depicts “degrees of souledness” during the development of a given human being implies that I would be more willing, if placed under enormous pressure (as in the film Sophie’s Choice ), to extinguish the life of a two-year-old child than the life of a twenty-year-old adult. The answer is, “No, it does not.” Even though I sincerely believe there is much more of a soul in the twenty-year-old than in the two-year-old (a view that will no doubt dismay many readers), I nonetheless have enormous respect for the potential of the two-year-old to develop a much larger soul over the course of a dozen or so years. In addition, I have been built, by the mechanisms of billions of years of evolution, to perceive in the two-year-old what, for lack of a better word, I will call “cuteness”, and the perceived presence of that quality grants the two-year-old an amazingly strong shell of protectedness against attacks not just by me, but by humans of all ages, sexes, and persuasions.

    Lights On?
    The central aim of this book is to try to pinpoint the nature of that “special kind of subtle pattern” that I have come to believe

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