be a lot better,’ said Roger, continuing the banter that had been going on between them for a while. He pretended to look sad.
Donatella moved the few feet that separated the tables from the stern of the boat and stopped right below him. Her open blouse revealed an intriguing furrow between her breasts and Roger plunged
his gaze down like a fishing line. The girl noticed but gave no sign that it bothered her.
‘You know, if you used your words as well as your eyes . . . Hey, what’s that nutter doing?’
Roger turned his head to follow the girl’s look and saw the twin-engine Beneteau yacht heading straight towards the line of anchored boats at full speed. There was nobody on the
bridge.
‘Stupid idiots.’
He left Donatella and ran to the prow of the Baglietto. He started waving his arms frantically, shouting, ‘Hey, you with the twin engine! Watch out!’
There was no sign of life from the yacht. It was heading straight towards the quay without slowing down. Now it was just a few yards away and a collision seemed inevitable.
‘Hey!’
Roger cried out, then grabbed the handrail and waited for the impact. With a violent crash, the Beneteau’s prow rammed into the Baglietto s port side, wedging itself between its
hull and that of the boat anchored next to it. Luckily, there was not too much damage; the fenders had helped to soften the blow. Still, there was an ugly grey scratch in the paintwork. Roger was
furious.
‘What the fuck do you think you’re doing?!’ he shouted.
There was no answer from the other boat. Roger climbed from the bridge of the Baglietto on to the prow of the Beneteau as a group of curious onlookers gathered around the pier. When he
reached the stern, he noticed something strange. The rudder was blocked. Someone had slipped in the pole hook, tying it with a rope. A red trail started on deck and continued over to the steps
leading to the cabins below. It seemed bizarre and Roger got a cold knot in his stomach. As he approached, his legs started to shake. Two words were written on the table in the same red liquid.
I kill . . .
The threat of the words and the ellipsis following them made him sick. Roger was twenty-eight years old and no hero, but something pushed him towards the door of what was probably the main
cabin. He stopped for a second, his mouth dry with dread, and then he opened the door.
He was overcome by a sweetish odour that took hold of his throat and made him gag. He didn’t even have the strength to cry out. For all the years he had left to live, the scene before him
would return to his dreams every night.
The policeman about to come on board and the people on the pier saw him rush out on deck, bend over the edge of the boat, and vomit into the sea, his body retching convulsively.
FIVE
Frank Ottobre awoke with the feeling that he was lying between strange sheets in a strange bed, in an unknown house, in a foreign city.
Then memory seeped into his brain like sunlight through the shutters and the pain was still there, just as he’d left it the night before. If there was still a world outside, and if there
was a way to forget that world, his mind had rejected both. Just then, the cordless phone on the bedside table rang. He turned over and extended his hand to the phone’s flashing display.
‘Hello?’
‘Hey, Frank.’
He closed his eyes and the face called forth by the voice in the receiver came immediately to mind. The pug nose, the sandy hair, the eyes, the smell of aftershave, the pained walk, the dark
glasses and grey suit that was like a uniform.
‘Hey, Cooper.’
‘It’s early for you, but I knew you’d be up.’
‘Yeah. What’s up?’
‘What’s up? Total pandemonium. We’re on duty 24/7. If there were twice as many of us, we’d need twice as many as that to keep up with everything. Everyone’s trying
to pretend that nothing’s happened, but everyone’s afraid. And we can’t blame them: we’re scared too.’
There was a