struggles for a comeback. I almost
feel sorry for her, not that she’s exactly
innocent
of saying mean things to people.
Or about people, behind their backs,
or even worse, where they can overhear.
Most everyone I know thinks she’s a
perfect
bitch. Even her friends don’t like her
much, that’s my guess. Maybe I’m
jealous
somehow. Nah. She’s the one
with the problem, not me.
Anyway, the more I remember
how nasty she can be, the less
guilt
I feel about thinking what just
happened is funny. Still, Ian
appeared
just about the time she sputtered
off. He looked at me like I was
at fault. Whatever.
Dramatically,
I tilt my face toward the ceiling,
walk by him without a word.
Ian Retaliates
In his own subtle way, goes
and sits by Shelby, rotates
completely away from me.
I’ve studied this scene, know
my lines. So why can’t I
remember a single one?
Uh, Kaeleigh? You seem
a bit distracted today, says
Ms. Cavendish. Everything okay?
Wonder if Ian…oh, did she
just ask me a question?
“I’m sorry, what?”
Definitely distracted. Get your
script. You and Ian run lines.
We’ll block this scene later.
I slip quietly into the vacant
seat on the other side of Ian.
“She wants us to run lines.”
He nods and Shelby retreats.
Ian and I crack our scripts
without exchanging glances.
Eventually
We reach a romantic scene.
Onstage, Ms. Cavendish
has the chorus singing a big
ol’ production number.
It’s an unusual backdrop
for Ian’s and my scripted passion.
But even with numerous
vocal errors, corrections,
and amended directions,
so many distractions,
our declarations of love intertwine.
And even as Madison
stomps back into the theater,
to be corralled by Ms. C and
told to join the others onstage,
Ian finally looks up, into my eyes.
Just then the bell rings,
and as everyone deserts
the stage, locates possessions,
escapes the building, he says,
Sometimes I just don’t know who you are.
Not Exactly
The words I’d hoped to hear.
Then again, what exactly
were the words I’d hoped for?
Anyway, to be honest,
sometimes I’m not so sure
just who I am either.
So I admit, “That makes
two of us, I guess.” At least
when I smile, he does too.
He offers me a ride home,
but I opt for the bus. “Maybe
tomorrow? I need to think.”
Ian walks me to the yellow
dinosaur, bends down,
kisses a sweet good-bye.
As the bus belches and squeals,
pain bubbles up inside, an evil
spirit, demanding escape.
And by the time I reach home,
I know I’ve got to uncork
the bottle, free my evil genie.
It’s Been a While
Since I’ve really binged.
Mostly, I guess, because things
have seemed fairly flatlined
recently. No major upsets.
No major downslides.
But that episode with William
has bothered me since
it happened. I let it fester,
though on the surface
the blister has popped,
scabbed over. William didn’t
cause the infection, he was just
its manifestation. God, I’m so
in need of spiritual antibiotics.
Then the Madison thing.
She is a major, total shit
stirrer, vicious clear through,
and obviously out to shred
any living thing that stands
in the way of what she wants.
On one level, what happened
in drama was the funniest
thing ever. I laughed out loud,
along with most everyone
else. So why did I feel bad later?
But When It Comes
To my personal sundae
of interior upheaval,
Daddy is the ice cream.
Raeanne is the hot fudge.
Mom is the whipped cream.
And Ian is now, and maybe
forever, the cherry on top.
Why can’t he and I find
a way to accept each other,
lose ourselves in all-
encompassing love,
the kind that can save you?
The kind that can glue
all the fragments of two
broken hearts together.
Sometimes, every once
in a while, it feels like
we’re almost there. Close.
So close. But then something
happens, something out
of my control, and mostly
it comes from inside of me—
this terrible black energy,
wrenching us