In Cold Blood by Truman Capote Read Free Book Online Page B

dedicated to M OTHER -D AD , the other a heart that celebrated the romance of D ICK and C AROL , the girl whom he had married when he was nineteen, and from whom he had separated six years later in order to “do the right thing” by another young lady, the mother of his youngest child. (“I have three boys who I will definitely take care of,” he had written in applying for parole. “My wife is remarried. I have been married twice, only I don’t want anything to do with my second wife.”)
    But neither Dick’s physique nor the inky gallery adorning it made as remarkable an impression as his face, which seemed composed of mismatching parts. It was as though his head had been halved like an apple, then put together a fraction off center. Something of the kind had happened; the imperfectly aligned features were the outcome of a car collision in 1950—an accident that left his long-jawed and narrow face tilted, the left side rather lower than the right, with the results that the lips were slightly aslant, the nose askew, and his eyes not only situated at uneven levels but of uneven size, the left eye being truly serpentine, with a venomous, sickly-blue squint that although it was involuntarily acquired, seemed nevertheless to warn of bitter sediment at the bottom of his nature. But Perry had told him, “The eye doesn’t matter. Because you have a wonderful smile. One of those smiles that really work.” It was true that the tightening action of a smile contracted his face into its correct proportions, and made it possible to discern a less unnerving personality—an American-style “good kid” with an outgrown crew cut, sane enough but not too bright. (Actually, he was very intelligent. An I.Q. test taken in prison gave him a rating of 130; the average subject, in prison or out, scores between 90 and 110.)
    Perry, too, had been maimed, and his injuries, received in a motorcycle wreck, were severer than Dick’s; he had spent half a year in a State of Washington hospital and another six months on crutches, and though the accident had occurred in 1952, his chunky, dwarfish legs, broken in five places and pitifully scarred, still pained him so severely that he had become an aspirin addict. While he had fewer tattoos than his companion, they were more elaborate—not the self-inflicted work of an amateur but epics of the art contrived by Honolulu and Yokohama masters. C OOKIE , the name of a nurse who had been friendly to him when he was hospitalized, was tattooed on his right biceps. Blue-furred, orange-eyed, red-fanged, a tiger snarled upon his left biceps; a spitting snake, coiled around a dagger, slithered down his arm; and elsewhere skulls gleamed, a tombstone loomed, a chrysanthemum flourished.
    “O.K., beauty. Put away the comb,” said Dick, dressed now and ready to go. Having discarded his work uniform, he wore gray khakis, a matching shirt, and, like Perry, ankle-high black boots. Perry, who could never find trousers to fit his truncated lower half, wore blue jeans rolled up at the bottom and a leather windbreaker. Scrubbed, combed, as tidy as two dudes setting off on a double date, they went out to the car.
     
     
    T he distance between Olathe, a suburb of Kansas City, and Holcomb, which might be called a suburb of Garden City, is approximately four hundred miles.
    A town of eleven thousand, Garden City began assembling its founders soon after the Civil War. An itinerant buffalo hunter, Mr. C. J. (Buffalo) Jones, had much to do with its subsequent expansion from a collection of huts and hitching posts into an opulent ranching center with razzle-dazzle saloons, an opera house, and the plushiest hotel anywhere between Kansas City and Denver—in brief, a specimen of frontier fanciness that rivaled a more famous settlement fifty miles east of it, Dodge City. Along with Buffalo Jones, who lost his money and then his mind (the last years of his life were spent haranguing street groups against the wanton