interminable streets of tall, grey, narrow houses that became half-effaced with fog at a distance of a hundred yards, the pale faces peering up from basements past rubbish cans, the innumerable dim flights of stairs, rooms crowded with cushioned and buttoned furniture, railings too grimy to touch, dirty flights of steps – above all, an atmosphere of stale weariness: had worked on me in a way I did not understand myself.
The street I wanted was not in my guidebook. I was directed back and forth by passers-by, each one saying helpfully, ‘It’s just around the corner,’ and looking impatient when I said: ‘Which corner?’ This business of the next corner is confusing to aliens, who will interpret it as the next intersection of the street. But to the Londoner, with his highly subjective attitude to geography, the ‘corner’ will mean, perhaps, a famous pub, or an old street whose importance dwarfs all the intervening streets out of existence, or perhaps the turning he takes every morning on his way to work.
The house I wanted was a broader, taller house than most, and separated from its neighbours by a six-inch space on either side. The steps were scrabbed white; the doorknob gleamed; the wood of the door was newly-varnished chocolate brown. While I waited for the bell to be answered, a young man came out, carrying suitcases, which he left on the bottom step. Soon a young woman followed him, vehemently slamming the door, and looking to him for approval of this action. But he said irritably: ‘Don’t give them grounds for complaint.’ She was a tall slender girl, wearing an enormous black picture hat, very high black heels, a deep black decolletage crowded with crimson roses, and fursslung over one shoulder. Because of her appearance I looked again at the man. He was as unfamiliar to me as she was. He wore a sharply-angled brown suit, and pointed brown shoes. He was tall, dark, slickly good-looking, with prominent brown eyes that were now suffused with uneasy anger. The door swung inwards, this time to show an elderly grey woman in a stiff white nurse’s uniform. She looked past me at the couple and said: ‘You must have all your things out in half an hour or I’ll call the police.’ The young woman gave a shrill laugh; the young man frowned and began to say something; but the nurse interrupted him by saying to me: ‘Come in.’ Her voice still held the sharpness which she had directed at the other two.
Inside there was a narrow hall carpeted with crimson. A grey satin wallpaper was sprinkled all over with small gilt coronets and harps. Small gilt-framed mirrors hung at various levels, chandelier, sprouting large electric bulbs.
The nurse left me in these surroundings of dispirited opulence, saying: ‘I’ll ask for the keys.’ Soon a very old lady, swathed in pink and mauve wool, wheeled herself in a chair across the hall, giving me a cold stare. Then she turned herself around and rolled back, with another prolonged stare. When the inspection was over the nurse came back with a bunch of keys, and led me up one, two, three, four, five flights of stairs, all muffled in crimson carpet, the walls thick with large brownish pictures. She unlocked a door that barred our way into a more bleak corridor. The stairs were now very narrow and twisted sharply after each short flight. There was no carpet. It was dark, save when we passed the windows, which shed a pallid glow over our heads on to more pictures, so that at short intervals the gloom was broken by a confusion of dimly inter-reflecting lights.
All the way up were doors with names written on cards beside the bells. I imagined vistas of passageways, opening on to yet more rooms, more lives. It was very silent, a humming breathing quiet, like listening to someone sleep. It was as if I had become a midget and was walking up the main gallery of a large antheap.
On the top landing it was completely dark; we were standing in a closed box, ‘Here we are,’ said