In the Fold by Rachel Cusk Read Free Book Online Page A

made this noise, but it was as though it were a strong current bearing her away on the waters of her own experience. I watched her recede into the darkness of herself and then return, thrown back into the yellow light of the car, each time more dishevelled and wretched; and I waited for her to retaliate with the sense of her own autonomy, to locate in herself the primitive instinct that would tell her how to negotiate this storm of her body, but she didn’t. She cried and groaned with what appeared to me to be more than pain, to be an actual constitutional flaw. I understood that I was witnessing her in the last minutes of her wholeness, as I might have watched a fragile, falling object in the seconds before it hit the floor. It was around that time that Rebecca vacated one part of my consciousness and took up residence in another. Her new home was far more crowded: it housed everyone, more or less, whom I loved under obligation. As I pretended that this change had not occurred, I felt it didn’t really matter that it had. All that had happened was that I was, at my centre, alone again.
    Hamish was a big, peculiar baby with flowing blond hair and the prominent features of a general or a politician. He seemed to relish pointing out the obvious, and treated everything as a joke: in this way he was identifiably male, though in spite of his size and virile countenance there was something effeminate about him. He was like a big, exuberant, bad-mannered amphibian, or a laughing, androgynous cleric. The spectacle of Rebecca looking after him suggested that of a teenaged girl entertaining her first, unruly boyfriend in the family home. She giggled, or reddened with shame; she was by turns prim and infantile, and then, as time went on, intermittently burdened, disgusted, recondite, submissive. It was Rebecca who had wanted the baby, but from the start I hadthe subdued sense that Hamish would ultimately be transferred to my sphere of responsibility, like the pets people buy their tender, clamorous children; children who then harden, as though the giving, the giving in, were proof in itself that in order to survive and succeed in the world you must be more callous and changeable than those who were so easily talked into acceding to your desires. I knew Hamish and I were in it together. I knew it even as Rebecca put him in the pouch she wore on her front and picked her way, moon-faced, farouche, through the streets accepting the compliments of strangers.
    Rick and Ali treated Hamish as they treated everything, with an instant familiarity that nevertheless appeared to recognise no precedent, nor any attendant codes of conduct. Ali said that Hamish reminded her of her brother Chris. She said it no matter what he did, so that over time she created the strange impression that Chris was a fiction being manifested by Hamish in instalments. When she said to Rebecca, ‘That’s just what Chris used to do,’ or, ‘When he laughs he sounds exactly like Chris,’ Rebecca would say ‘Really?’ as though she had never met Chris in her life, and had perhaps not even heard of him until that moment. Rick liked Hamish the most. He took him out for solitary walks, as though to visit some distant shrine of male heredity. He would say to Ali, ‘Shut up about your fucking brother the jailbird. What’s he got to do with anything?’ Chris was a tax exile. I don’t think he actually went to prison, but apparently he borrowed some of Ali’s money years before, and never paid it back.
    When Hamish was two Rebecca was offered a part-time job at the gallery. At first I was relieved by this development, since it represented, obliquely, a slackening of the hold the concept of ‘art’ had on her. For as long as I had known her Rebecca had claimed to be an artist, while never to my knowledge producing an item made by her own hand. A few times she got close to attempting it, a proximity which expressed itself in the immediate onset of illness and