think someoneâs been watching me through binoculars, too. Iâve seen them glint in the sun.â
âYou donât know that for sure. Same way you canât really believe him when he says he knows you from somewhere. Sarah, these guys live in a fantasy world. They watch you on television once and think theyâve known you forever. They read about you in a fan magazine, find out your favorite color, foods and zodiac sign and they think they know your most intimate secrets.â
Sarah shrugged. âI know. But even so . . .â
âLook, when are you going back home?â
âThursday.â
âHowâs your father doing, by the way?â
Sarah stirred her food with her fork and shook her head. âNot so well.â
âIâm sorry to hear that. But listen to my point. In a couple of days youâll be gone, miles away in England. Right?â
Sarah nodded.
âHow long?â
âNearly a fortnight.â
âA âfortnightâ?â
Sarah smiled. âTwo weeks.â She was getting used to having to explain herself to Americans.
âOkay. So by the time you get back, your Romeo will have probably found someone new to pester.â
âYou think so?â
âI guarantee it. Look, if you want, I can arrange with the post office to have your mail sent through me or the studio, get it vetted. A lot of people do that.â
âMaybe thatâs a good idea,â Sarah said.
âConsider it done.â
Mark appeared again out of nowhere and asked if their meals were all right. Given the attention they were getting, Sarah suspected he had recognized Stuart as a casting director. They told him things were fine and he faded back into the greenery. Sarah hadnât been aware of the conversations around her, but now she heard low voices, the occasional burst of laughter, drinks rattling on a tray.
Stuart spread his hands. âYouâre welcome to come stay with Karen and me till you leave, if you want.â
âNo. Thanks, Stuart, but Iâll be okay.â
Stuart picked up the letter. âCan I keep this? Thereâs a guy Iâd like to show it to, just to get his opinion. Like I said, itâs nothing, but maybe he can put you a bit more at ease.â
âA policeman?â
âUh-huh. He can at least have a look at the letter, reassure you thereâs nothing to worry about. Itâs his job. He deals with shit like this all the time. Heâs an expert.â
âOkay,â said Sarah.
Mark came back and asked them about dessert. Sarah only wanted a decaf cappuccino, but Stuart went for the pink gingered pear compote with cassis, which was duly delivered.
âNow,â he said when Mark had vanished again. âAre you sure itâs a good idea to do this Nora in this . . . what is it?â
âA Dollâs House. Ibsen.â
âRight. Are you sure itâs a good idea to do this thing on Broadway?â
âI should be so lucky. Jane Fonda played her in a movie.â
âThatâs right,â Stuart said. âThatâs right, she did. Now I recall.â He paused, ate a spoonful of compote, then fixed her with a serious gaze and said, âBut, Sarah, sweetheart, think about it. Do you really want to end up making exercise videos and marrying a millionaire tycoon?â
âWell, I suppose there are worse things in life,â she said, laughing. But her laughter had a brittle, nervous edge.
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Credits
Cover photograph © Sandra Cunningham / Arcangel Images
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Copyright
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the authorâs imagination and are not to be construed as real. Any resemblence to actual events or persons, living or dead, is entirely coincidental.
I NNOCENCE . Copyright © 2015 by Peter Robinson. All rights reserved under International and Pan-American Copyright Conventions. By payment of the