Marie-Louise always chose the most handsome. This year it was a tall blond who had bad teeth and never smiled but who blushed easily and sometimes, very rarely and improbably, laughed at Marie-Louiseâs wisecracks and instantly covered his ruined mouth with his hand. He surely lived at home with his parents where he had rural chores to do, for the layer of urbanism in the village was literally only one street deep and the burghersâhousesâeven those built around the town square with its band kiosk and town hallâopened up in the rear to fields and barns. One night my lover Hubert, who was very ill, couldnât finish his meal. Marie-Louise sniffed,
âUne petite nature.â
We invited the âpeasantsâ who lived next door (I could never get used to calling them
paysans
) to visit the house sometime, and Hubert bought a bottle of aperitif, Suze, popular in the French countryside. I donât drink, but I admiringly smelled the bitter medicinal yellow fluid (a cordial made from boiled yellow gentian roots) in its tall, narrow bottle. The invitation weâd extended was understood to be flexible and open-ended and we didnât know when to expect the neighbors, yet two Sundays later all of them showed up, parents and grandparents, the two little girls and their handsome, effeminate teenage older brother who was being sent off to hospitality school to become a waiter. Heâd straightened his blond hair and his clothes had sophisticated, stylishly useless buckles and straps.
The conversation was ponderous, the dialect (reputed to be the best, purest French) nearly incomprehensible to meâand I fled into an adjoining room and waited for it to end. From what I could understand, they were telling dull local stories involving the weather, much as my Texas farming relatives might do, except that my relatives would also include the mileage theyâd gotten and the route theyâd taken and the dust storm theyâd seen. When my born-again cousin Dorothy Jean came to Paris, I took her to a museum entirely devoted to the work of Gustave Moreau and pointed out a painting of Judith cutting off the head of Holofernes. âItâs a biblical scene,â I said optimistically.
âThatâs not in my Bible,â she scoffed.
One night Hubert and I, as we drove home from the hotel, saw a car that had gone off the road into the ditch. We hopped out and peered into the driverâs side, where a young woman was slumped over the wheel, her ear running with blood. The headlights blazed into the tall, uneven grass. A little dog was yapping soundlessly in the backseat behind a closed window. The only noise was the creaking and ticking of the still-warm automobile. Since we didnât have a phone in our house, we rushed up the nearest drive to the peasantâs house andknocked. The farmer answered the door, blotchy-faced and reeking of cheap brandy, his trousers unbuttoned.
âWho is it?â he said, referring to the victim.
âWhat difference does it make?â cried Hubert. âSheâs hurt! Call an ambulance!â
âBut who is it?â
âWe can figure that out later. Whoever it is, we need to get her to the hospital.â
The entire family, even the grandmother, wanted to know who it was before they would bother to call the ambulance. It was raining slightly as we all trudged down to the still-illuminated car in the ditch. If Iâd been able to communicate with them more readily, I might have reminded them their hesitation could very well end up being partly responsible for the womanâs death.
âOh, itâs Hélène!â said the farmer. âShe and her mother are both big drunks. This is the second accident sheâs had in a month.â And he went on and on filling us in on the sad case of Hélène as the dog barked silently and climbed up on the backseat to look at us through the window and left a breathy ghost of his