James Hilton: Collected Novels

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Authors: James Hilton
people sometimes called it. But the best part of Browdley isn’t, and never was, so good. The town consists mainly of four-roomed bathroomless houses built in long parallel rows, dormitories of miners and cotton operatives who (in George’s words to Lord Winslow) had piled up money like muck for a few local families. George had not added that his wife belonged to one of those families, even when the mention of Channing and Felsby’s Mill would have given him a cue. For Livia was a Channing—one of the Channings of Stoneclough…and suddenly he decided that, since he was trying to kill time by walking, he would walk to Stoneclough. It was even appropriate that he should take there his problem, his distress, and that brooding subcurrent of anger.
    Presently his walk quickened and his head lifted as if to meet a challenge; and in this new mood he reached the top of a small rise from which Browdley could be seen more magically at night than ever in the daytime; for at night, especially under a moon, the observer might be unaware that those glinting windows were factories and not palaces, and that the shimmer beneath them was no fabled stream, but a stagnant, stinking canal. Yet to George, who had known all this since childhood, there were still fables and palaces in Browdley, palaces he would build and fables he would never surrender; and as he walked to Stoneclough that night and looked back on the roofs of the town, he had a renewal of faith that certain things were on his side.
    The trouble with Livia, he told himself for the fiftieth time, was that there was no reason in so many things she did; or was there a reason this time—the reason he had been reluctant to face?
    He climbed steadily along the upland road; it was past one in the morning when he came within sight of Stoneclough. The foothills of the Pennines begin there; there is a river also, the same one that flows dirty and sluggish through Browdley, but clean and swift in its fall from the moorland, where it cuts a steep fissure called a “clough,” and in so doing gives the place a name and provides Browdley citizens with a near-by excursion and picnic ground. The first cotton mills, driven from a water wheel, were set up in such places towards the end of the eighteenth century, and one of them belonged to a certain John Channing of whom little is known save that he died rich in the year of Waterloo. The shell of the old graystone mill that made his fortune still stands astride the tumbling stream; but the rows of hovels in which the workpeople lived have long since disappeared, though there are traces of them on neighboring slopes, where sheep huddle in rain against weed-grown fireplaces.
    Gone too is the first Channing house that adjoined the mill; it was demolished about the time of Queen Victoria’s accession, when the Channing family, by then not only rich but numerous, built a new and much more pretentious house on higher ground where the clough meets the moorland. About this time also it became clear that steam would oust water power in the cotton industry, and with this in their shrewd minds the Channings took another plunge; five miles away, on meadows near what was then the small village of Browdley, and in partnership with another mill-owner named Felsby, they built one of the first large steam-driven mills in Lancashire. Other speculators obligingly built Mill Street for the new workers to live in, and the same process, repeated during succeeding decades with other mills and other streets, made Browdley what it is and what it shouldn’t be—as George said (and then waited for the cheer) in his popular lecture “Browdley Past and Present,” delivered fairly frequently to local literary, antiquarian, and similar societies. Yes, there was one question at any rate to which he could return a convincing answer—“What do you know of Browdley?”—and that answer might well be: “More than anyone else in the world.”
    Suddenly George saw the

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