So and so did this. So and so wore that. Those kind.â
I laugh, needlessly, then stand up because I canât just stay crouched down by my boxes, but when I stand, I have nowhere to go. I feel my stupid clothes, my ratty nondesigner jeans, my sweatshirt with the stain that runs along the zipper like a sewage canal. I suck in my stomach and hold my hands together, cross my arms, then uncross them and say, âWe were in the same ethics group, right?â as if I donât know.
âOh yeah,â she says.
She has no problem with the silence. She stays still. I walk over to the bed and sit down.
I think back to the peer-counselor-led session, the things we had done, and more important for me, the things weâve never done and always wanted to do. I remember noticing she wasnât too far ahead of me and thinking she must be lying.
âThat was a weird exercise,â I say. âWalking across the room.â
She looks like sheâs remembering something that happened ages ago. âYeah. I kind of liked it. Made you think.â
âTotally,â I say.
âDid you see Laura Fujimoto?â She laughs. âOh my God,she got, like, all the way across. I always thought she was some goody-goody.â
I laugh, or make a sound that approximates laughter.
âBut who knows why she walked,â Whitney says. âHopefully âcause she did bad shit and not because bad shit happened to her. Like what if she took her steps âcause she was molested or something? And by the way, how the fuck is walking across the gym supposed to help her with thatâor with any of our problems?â
âYeah,â I say again, ineptly. Where is my funny self? Where does it go when Iâm intimidated? I fold shirts that Iâve already folded.
âWhyâd you walk?â she asks.
âI donât know,â I say. âI donât really remember.â
She looks at me like Iâm hiding something scandalous. Black-soled shoes in the gym. Thatâs why I walked. Thug life.
âWhat about you?â I ask.
âI donât really remember,â she says, and now she looks like sheâs the one hiding something scandalous.
Water drips from her hair onto my hardwood floor. Her hardwood floor. This is all hers. While itâs easy to adapt to better things, itâs probably hard to come back down.
âSo do you like it?â she asks, and looks up at the ceiling.
I look around, as if considering. âYeah, it works. My momâs going to be shooting more in town now, so . . .â I usually find that when I mention my mom, the attention turns immediately to her and sheds a more attractive light on me as well, but Whitney doesnât seem to care.
âYeah, my momâs all amped on your momâs show.â She getsup and walks by me. Her hair smells like expensive perfume. She picks up the few things on my shelvesâan old pencil box, a glass vase I madeâthen puts them down again. Sheâs in charge, and I feel like Iâm losing an invisible race. Even my posture is pathetic. Itâs like Iâve become suddenly infected with clumsiness and Iâm afraid to move and spill my dignity.
âYou going out tonight?â she asks.
âNot sure yet,â I lie.
âYouâre friends with Danny, right?â Her smile is coy.
âYeah,â I say.
âHeâs kind of a dreamboat,â she says.
I laugh, and a little spit darts out. I think she cringes.
She taps her nails against my ukulele on the shelf, and now she looks bored, like sheâs enduring a class in school. I wonder if she feels forced to stay and hang out with me. I donât know what to say to her and hate that Iâm nervously trying to think of something.
Iâm about to say something about the cottage, how itâs nice, how everythingâs so great, so much better than our last place, thereby firmly establishing my rank