vain. The cards are silent. She begins to lose interest. Ace of hearts . . . A love letter . . . Lies, lies. Mother doesnât believe in the cards. Or in love either. Besides,the deck is fixed. And so are our hearts . . . Queen of diamonds . . . Elisabeth, my only child. Her blond hair, with flashes of red in the light . . . Two of clubs . . . The evening is peaceful and calm, like a tub of fresh-drawn milk. My aunts, busy with their embroidery. Beneath their dry little fingers, dull, lifeless flowers take shape, slavishly copied from the pages of the
Boston Ladiesâ Needlework Magazine
.
âLook, Adélaïde. You see how much red the child is using on hers? Really, itâs outrageous. Why canât she follow the model? Nice subdued colors . . .â
A typical winter night in Sorel. In the cottage, a single lamp burning. The child is well protected. Her brute of a husband can go gallivanting to his lordshipâs heartâs content in his domain of Kamouraska . . . Here, all these women, quietly embroidering. And one male, only one, allowed in this room, with its low wooden ceiling, all white and shining like porcelain, covered with flickering shadows. Every evening Doctor Nelson comes to visit with us and pass the time. Heâs so pleasant, such a gentleman, this Doctor Nelson. And he took such good care of the child when she was sick. A trifle nervous, perhaps. A little too pensive. It would take a clever one to find out what it is thatâs preying on his mind, what secret makes that look of anger flash across his face from time to time.
âIâll call Aurélie and tell her to bring us some lemonade.â
âYou would do better to get rid of that girl. With her reputation . . .â
âNow you mustnât do anything to upset Elisabeth. The child is so miserable with that husband of hers . . .â
My mother and my aunts are speaking in a whisper. Doctor Nelson and I donât say a word. He hands me the lengths of thread as I need them. Together we sit looking at the canvas, watching a flower take shape, a flower thatâs much too red.
Footsteps in the hall, brisk and confident. Aurélie with thelemonade. A jumble of other footsteps. Sophie Langlade and Justine Latour are with her. Frenetic, these two, always caught up in a flurry of activity. Forever opening doors, as if they feel they have to open every room in the house, connect them all together. Mysterious, these rooms one after another. They beckon to me. With their sly little looks they urge me to hurry and live in this house again, here in Sorel. To live in it all, and not leave out a single room.
âMadame would always go and lock herself in one of the bedrooms with Doctor Nelson.â
Who said that? Who dared say such a thing? Itâs written down on paper, with an official stamp. Aurélie Caronâs sworn deposition. That lying child. And innocent little Justine Latour, testifying later.
âMadame was never alone with Doctor Nelson. Her mother followed them everywhere they went.â
Good-hearted child, Justine. But the consolation of your simple little soul doesnât last too long. Listen to the clerk, reading the last words of the indictment.
With intent in so doing feloniously, wilfully, and of her malice aforethought to poison, kill, and murder the said Antoine Tassy, against the peace of our said Lady the Queen, her crown, and dignity
.
The Queen! Always the Queen! Couldnât you just die laughing! As if it makes the slightest difference to our dear Victoria-beyond-the-sea! What does she care if thereâs a little adultery, a little murder, way out there on a few acres of snowy waste that England once took away from France?
Elisabeth dâAulnières, widow Tassy. You hear that? Youâre being charged in a foreign tongue. The language of my love. Nothing matters now but the shape of the words on his lips. Elisabeth dâAulnières, widow Tassy. Remember Saint
Carol Durand, Summer Prescott