than two children, chances are both parents will have to work at least part-time.…
Children need a calm environment, focused attention, consistency, and discipline. Working parents can provide those necessities if they are willing to engage and stimulate the child when they are at home. Day care is risky, no doubt about it. Exposure at a young age to undisciplined or troubled children at a center can cause angst in your own child. The bacteria count in some of these places is off the chart and the supervision is out of your hands. The gently smiling caregiver might be a simpleton who sets the kids down in front of a TV and does little else. Not a great situation any way you slice it unless you get lucky. There are excellent daycare facilities but if your kid is in one, make sure you drop in unannounced from time to time.…
[No one] has the right to make working mothers feel guilty. American women have pursued careers and raised fine families at the same time. However, these dual purposes must be carefully thought out and executed with precision. Children should always get first priority, and if trouble develops, the job has to be put aside.
Torture movies are flooding the market, especially in the summer, when young people are looking for something todo. These cynical films revel in explicit scenes of human suffering inflicted with a cavalier glee by both the actors and the special-effects people. Sadism rules, and some sociologists believe a diet of this stuff desensitizes people, making them less likely to sympathize with the real-life suffering of others. So, are the people profiting from torture movies evil? The torture-film people don’t have a tortuous explanation for their abysmal behavior; they have a simple one: It’s only a movie. What’s the big deal? Everybody knows motion pictures are fiction; there’s nothing real about the pain and suffering gleefully inflicted on-screen.
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Except it’s sickening.
If you think about it, the torture industry is very easy to explain. Simply put, it makes a product for sadistic people to enjoy. The more suffering on-screen, the better. Let’s get a close-up of that arm being amputated and that eyeball being gouged out. Again, it’s all about money. Why else would anyone spend time and resources filming ways to hurt people? Where is the good in that?
The answer, of course, is that there is no good in that. Only evil. Simply put, anyone who delights in portraying or watching human suffering is sick. Got it?
Another topic on which the media are no friends to family values: drugs .
Until public pressure forces our apathetic and frightened politicians to get really tough on those who sell narcotics, Americans will continue to die with needles in their arms, prostitute themselves, infect each other with the AIDS virus, and steal anything they can. How much heartache has to pass through the nation before society reacts? Are you going to wait until it’s your child with the drug problem?
As for the media, their delayed reaction and their lack of responsibility have been, generally speaking, disgraceful. If the stars aren’t flaunting their own personal drug use (Willie Nelson, Snoop Dogg), they are participating in projects that glorify drugs and alcohol (and cigarettes, for that matter). Movies have made brilliant use of charismatic stars and flashy cinematography to make the drug world look lucrative and normal. Business as usual, babes ahoy.
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One such project is the movie Blow , starring Johnny Depp and Penelope Cruz, two attractive actors whodirectly appeal to young people. The film is based on the life of convicted cocaine dealer George Jung, who is currently serving twenty years in prison.
Before the system finally caught up with Jung, he smuggled drugs for more than twenty years, supplying thousands of tons of cocaine to millions of Americans. He accumulated millions of dollars that he spent on himself. Women threw themselves
Barbara Boswell, Lisa Jackson, Linda Turner