you.â
Once Taylorâs gone, Sloan and I start snooping.
Sherryâs bedroom is covered in posters, with one wall dedicated to photos of Sherry and her friends and family. The room looks busy and lived-in, but still tidy.
Sloan studies the posters and photos. âNothing Goth-looking.â
âNo.â I move over to Sherryâs desk. âWe should get some computer techs onto this.â I glance at Sherryâs laptop, which is plugged in but switched off.
âIâll log a request this afternoon.â
A glance at the bookshelf reveals that Sherry is into mostly fantasy and sci-fi, but there are also a couple of paranormal titles on the shelves. A closer look reveals two books set in the vampire world.
âCheck this out.â I hand Sloan a copy of Kerri Arthurâs Full Moon Rising . âMaybe Sherry was secretly part of the Goth world.â
Sloan reads the back of the book. âDoesnât mean a thing, Anderson. Vampire fiction is in. And Sesame Street, remember? You said it yourself.â
Sloanâs right, but itâs still interesting that we found something from the vampire world in Sherryâs room. I make a move for her wardrobe. If Sherry was involvedin the scene, sheâd have to keep her clothes somewhere. I flick through the hangers, but find nothing except top-line designer clothes of the commercial variety. âNothing in here.â
Sloan pulls out the second-last drawer of Sherryâs chest of drawers. âI havenât found anything yet, either.â
I look around the room, soaking it in, while Sloan finishes going through the drawers.
âNope.â She closes the bottom drawer. âNothing unusual, and no Goth, either.â
I sigh. âAnd nothing else that gives us an idea of how Sherry might have wound up at Temescal Gateway Park last night.â
âNo.â Sloan leans on the chest of drawers for a moment, also looking around. After a few seconds she says, âGuess weâre done here, at least for the moment.â
âYeah. Do you mind if I soak up the atmosphere for another couple of minutes? Iâll join you in a sec.â
âYou gonna get into her head?â Sloan gives me a slightly teasing smile.
âSomething like that.â
âGood luck.â She moves toward the door. âIâll let the Taylors know not to touch Sherryâs laptop and that someone will come by in the next day or two to pick it up.â
I nod. âThanks.â
Profilers always try to walk in the victimâs and killerâs shoes, but obviously for me I want time alone to try to induce a vision. I had my first experience of seeing something that was about to happen when I was eight, but then this ability of mine went undergroundâ¦until I was working the D.C. Slasher case nearly two years ago. Since then itâs been a bumpy road, fueled first by my own denial and then my acceptance. I can nearly always induce something, but the usefulness of what I see is often questionable. Like Sherry sneaking home one nightâevery youngwomanâs done that. Still, I always use my gift on a case and sometimes it does help.
Sitting on Sherryâs bed and staring at the collage of photos on her wall, Iâm conscious that I donât want to be long, but I try to push that sense of hurriedness away. Instead I take long and deep breaths, close my eyes and concentrate on relaxing.
Iâm tired and my vision is blurred. People gather around me, but I canât make out any facesâ¦everything is so hazy. Thereâs a voice, a deep voice, but I can no longer focus on the words.
The vision is brief, but the sense of wooziness makes me wonder if Sherry was drugged. The routine tox screen will answer that question. However, there was nothing in the vision that indicates time. While it may be related to her murder or the unaccounted hours prior, it could also be something entirely different. Maybe she took