by one thousand foxes of stone.
XI
I now turn into a narrow little street, which, although so ancient that its dwarfed two-story houses have the look of things grown up from the ground, is called the Street of the New Timber. New the timber may have been one hundred and fifty years ago; but the tints of the structures would ravish an artist,âthe sombre ashen tones of the wood-work, the furry browns of old thatch, ribbed and patched and edged with the warm soft green of those velvety herbs and mosses which flourish upon Japanese roofs.
However, the perspective of the street frames in a vision more surprising than any details of its moldering homes. Between very lofty bamboo poles, higher than any of the dwellings, and planted on both sides of the street in lines, extraordinary black nets are stretched, like prodigious cobwebs against the sky, evoking sudden memories of those monster spiders which figure in Japanese mythology and in the picture-books of the old artists. But these are only fishing-nets of silken thread; and this is the street of the fishermen. I take my way to the great bridge.
XII
A stupendous ghost!
Looking eastward from the great bridge over those sharply beautiful mountains, green and blue, which tooth the horizon, I see a glorious spectre towering to the sky. Its base is effaced by far mists: out of the air the thing would seem to have shaped itself,âa phantom cone, diaphanously gray below, vaporously white above, with a dream of perpetual snow,âthe mighty mountain of Daisen.
At the first approach of winter it will in one night become all blanched from foot to crest; and then its snowy pyramid so much resembles that Sacred Mountain, often compared by poets to a white inverted fan, half opened, hanging in the sky, that it is called Izumo-Fuji, âthe Fuji of Izumo.â But it is really in H Å ki, not in Izumo, though it cannot be seen from any part of H Å ki to such advantage as from here. It is the one sublime spectacle of this charming land; but it is visible only when the air is very pure. Many are the marvelous legends related concerning it, and somewhere upon its mysterious summit the Tengu are believed to dwell.
XIII
At the farther end of the bridge, close to the wharf where the little steamboats are, is a very small Jiz Å temple (Jiz Å -d Å ). Here are kept many bronze drags; and whenever any one has been drowned and the body not recovered, these are borrowed from the little temple and the river is dragged. If the body be thus found, a new drag must be presented to the temple.
From here, half a mile southward to the great Shint Å temple of Tenjin, deity of scholarship and calligraphy, broadly stretches Tenjinmachi, the Street of the Rich Merchants, all draped on either side with dark blue hangings, over which undulate with every windy palpitation from the lake while wondrous ideographs, which are names and signs, while down the wide way, in white perspective, diminishes a long line of telegraph poles.
Beyond the temple of Tenjin the city is again divided by a river, the Shindotegawa, over which arches the bridge Tenjin-bashi. Again beyond this other large quarters extend to the hills and curve along the lake shore. But in the space between the two rivers is the richest and busiest life of the city, and also the vast and curious quarter of the temples. In this islanded district are likewise the theaters, and the place where wrestling-matches are held, and most of the resorts of pleasure.
Parallel with Tenjinmachi runs the great street of the Buddhist temples, or Teramachi, of which the eastern side is one unbroken succession of temples,âa solid front of court walls tile-capped, with imposing gateways at regular intervals. Above this long stretch of tile-capped wall rise the beautiful tilted massive lines of gray-blue temple roofs against the sky. Here all the sects dwell side by side in harmony,âNichiren-sh Å« , Shingon-sh Å« , Zen-sh Å«