“
Honk if you’ve never seen an Uzi fired through a car window
,” and I already had.
There weren’t any reporters in the courtroom when I pleaded my friend Francisco Crespo not guilty to second-degree murder. That’s right. The plea is “not guilty.” A defendant doesn’t have to be “innocent.” That’s for the gods to decide. A jury only determines whether the state meets its burden of proving guilt to the exclusion of a reasonable doubt. If the state fails, the defendant is adjudged “not guilty,” even though the jurors may believe the guy is a slimeball who hasn’t been “innocent” since kindergarten.
I did the usual: waived reading of the criminal information, demanded trial by jury, and requested all the discovery materials in the state’s possession. I also asked the state not to inadvertently lose evidence favorable to the defense, which prompted the prosecutor to ask if I thought he was unethical or incompetent, and I simply said “yes.”
The judge set the trial for June. Stone crabs would be out of season, and rich Miamians would be headed out of state. The jury panel would be comprised of folks angry at the heat, the mosquitoes, and the person responsible for their involuntary civic duties, one Francisco Crespo.
I didn’t tell Crespo any of this. We had only a moment together. He stood next to me, looking deceptively puny in an oversize pale yellow guayabera. I asked him if there was anything else he wanted to tell me, and he shook his head. I told him I wanted to talk about Matsuo Yagamata, and he gave me a sad smile that said no. He asked me to tell his mother that he was okay, and then he left the courtroom, free on bond, trusting me with his life.
I slipped from the courthouse nearly unnoticed. The only people who needled me about the mistrial were two bailiffs who flapped their wings, a probation officer who clucked an excellent
cock-a-doodle-do
, and an ex-client, shackled at the ankles, who told me not to chicken out.
L ourdes Soto tilted her head and gave me a mischievous smile. I figured it might have been my twinkly eyes or suave manner.
Then I caught sight of myself in the mirrored wall of the Versailles, a Cuban restaurant with a French name. I saw the same thing she did: an overgrown boy with a splendid guava milkshake mustache. Resisting the urge to use my shirtsleeve, I wiped my mouth with a napkin, swallowed a mouthful of my sandwich—sliced pork, turkey, and cheese with a pickle on crunchy Cuban bread—and got down to business. I’ve got nothing against angel hair pasta with olive oil, pine nuts, and sun-dried tomatoes. Nothing except the downtown yuppies who populate the trendy restaurants. Same thing with French water and German cars. Fine products. It’s just the assholes who use them as status symbols that get me down. So I prefer lunch in Little Havana, which I suggested when Lourdes Soto called me and asked if I could use a good investigator.
“I already have one,” I told her.
She knew that.
“I’ve used Ernie Palmer for years.”
She knew that, too.
“What’s your experience in homicide—”
“You just came from the justice building, didn’t you?” she interrupted.
I had, but how did she know?
“I watched you pull into the parking lot coming south on Twelfth Avenue,” she answered without being asked. “If you’d been driving from the courthouse or your office, you would have been headed west on Calle Ocho. There’s also a layer of brown dust on your hood. They’re repairing the trestles on the ramp to the interstate just south of the justice building. I’d say you parked in the shade next to the pilings where the construction is going on.”
Not exactly Sherlock Holmes, maybe, but noticing details makes for a good investigator. “I’m impressed.”
“Women have certain advantages as investigators,” she said. “We take people by surprise.”
No one would think Lourdes Soto was a PI. Not with that rare combination of jet
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