Let Sleeping Dogs Lie by Suzann Ledbetter Read Free Book Online Page A

three-quarter pie-shaped front yard, a sweetgum tree and views of an adjacent redbrick warehouse, but respective tenants seldom saw each other. The jackknifed design had the neighbors facing north at the corner of Rosedale Court and Lambert Avenue; the Wexlers' side pointed due east on Lambert at its intersection with Spring Street.
     
     
Visitors directed to the corner of Lambert and Rosedale would idle at the curb, look from one unit to the other and mutter "Eeny, meeny, miney." Occasionally they chose the right "mo." A few hit the gas and drove away in a huff. Those who rang the Wexlers' doorbell in error kept them apprised of the current neighbors' last name.
     
     
As Dina cruised up Lambert Avenue at 1:15 a.m., the Rosedale side's windows were dark. Lights blazed from Casa Wexler as if a party was in progress. Where Harriet's energy-conservation policy once consisted of "Flip off that switch when you leave a room. You think I own the electric company?", evidently, she now thought her daughter did.
     
     
Dina pulled past the mailbox, shifted the Beetle into Reverse and backed into the driveway. The engine hacked and sputtered. Mechanical bronchitis was typical of vehicles with a couple of hundred thousand miles on their odometers.
     
     
Someday she'd have the money to restore it to its original…well, glory was a bit highfalutin for an ancient VW. She'd settle for a new milky-cocoa paint job and straightening the Val Kilmer sneer in the rear bumper.
     
     
The Beetle was as short in the chassis as she was, but the single garage wasn't deep enough to squeeze between the wall and the car to open the front-end trunk. She shifted into Neutral, yanked on the emergency brake, then slumped in the seat. She was just too pooped to muscle up the garage door, back in the Bug, unload her stuff, then jump for the rope tied to the door's cross brace to pull it down again.
     
     
"Someday number two," she said. "I'll have a garage with an electric opener and shutter."
     
     
Leaving the Beetle to the elements, she reached into the trunk and wrestled with the magnetic Luigi's Chicago-Style Pizza sign earlier peeled off the driver's-side door. Her hobo bag slung over one shoulder counterbalanced the canvas tote on the other. Quietly, she closed the trunk, then relocked it.
     
     
The duplex's front door swung open the moment the key was inserted. Dina groaned in frustration. Sirens and extended commercial breaks often lured her mother from the world that was her chair to survey the larger, outside one. When the TV program resumed, or no disaster was visible beyond the stoop, she'd shut the door and call it good.
     
     
Harriet Wexler could not—or would not—get it through her head that the day was long gone when locked doors and drawn curtains meant you had something to hide.
     
     
Inside, an infomercial hawked its wares to an unoccupied glider rocker. The habit of leaving on the TV "for company" impelled silent prayers that her mother hadn't toddled off hours ago to the bathroom and collapsed in a heap on the floor.
     
     
Dina left her purse and bag on the table and tiptoed down the hall. Whuffly snores met her midway. In the master bedroom, clear plastic tubing tethered Harriet to the oxygen machine at the end of the bed. Yards of extra hose lassoed the cannonball footpost.
     
     
In the light slanting from the open bathroom door, she resembled a child actor made up and bewigged to play her future self. Fingers curled over the bedcovers pulled up to her chin suggested a foil for pixies and their nightly tug-of-war with the blanket.
     
     
Dina eyed the machine's distilled-water level, then blew her mother a kiss. "Sweet dreams, Mom."
     
     
Naturally, Harriet continued to insist she didn't need oxygen, though her color and energy had improved in the past four days. Dina worried about her tripping over the tubing, but fear of breaking a hip made Harriet extracautious. All in all, the two Bobs' no-fuss, no-muss