Leviathan or The Whale by Philip Hoare Read Free Book Online Page A

intends to join his ship. Searching the shore-huddled town for a cheap bed for the night, he finds the Spouter Inn, its timbered interior hung with ‘horrifying implements’ and murky paintings of impenetrable sea-scenes. Here he is told by the landlord that he must bunk with a harpooneer.
    There was nothing so unusual in that; Abraham Lincoln himself often shared his bed with a travelling companion. But Ishmael is aghast to find that his room-mate is a six-foot savage with a tattooed face. ‘Such a face! It was of a dark, purplised, yellow color, here and there stuck over with large, blackish looking squares.’ And as Queequeg puts aside the mummified head he has been trying to sell in town and undresses by candlelight, Ishmael realizes with horror that the cannibal’s entire body is tattooed, too.
    This is the man with whom he is expected to spend the night. After some hullabaloo, however, the white American lies down with the blue-stained Polynesian, and in the morning, Ishmael awakes to find Queequeg’s arm tight around his body ‘in the most loving and affectionate manner. You had almost thought I had been his wife.’ But as he lies there, unable to move, the young man is taken back to a childhood memory, of darkness, claustrophobia and terror.
    It was midsummer’s day. For some minor misdemeanour, the infant Ishmael was sent to bed early. He endured the awful punishment of confinement while the world went on around him, outside his bedroom. Coaches passed by, other children played. The sun shone brightly on the longest day of the year, defying his attempts to kill time.

    Eventually, he fell into ‘a troubled nightmare of doze’, from which he awoke with his arm dangling down beside the bed–only to find another hand clasped in his own. ‘For what seemed ages piled on ages, I lay there, frozen with the most awful fears, not daring to drag away my hand.’ As he fell asleep again, the sensation left him; yet he could never reconcile the strange, half-waking, half-sleeping encounter he had had with ‘the nameless, unimaginable, silent form’ that had gripped his hand.
    Lying there on that frosty December dawn in New Bedford, imprisoned by his bed-mate, Ishmael could barely distinguish Queequeg’s arm from the counterpane. Both were so heavily patterned that they seemed to blend one into the other: ‘this arm of his tattooed all over with an interminable Cretan labyrinth’; the patchwork cover with its ‘odd little parti-coloured squares and triangles’. Far from being terrified, Ishmael is comforted by the sensation, secure in the giant man’s embrace, as if he himself might become patterned all over, too. That night he becomes Queequeg’s ‘bosom friend’; the two would die for each other. Such is Ishmael’s rebellion against the normal world, that he should so intimately identify with so pagan a figure.
    These scenes, part nightmare and part romance, are some of the most memorable in Victorian literature, so vividly written one might almost believe the author had experienced them himself. But when he arrived at the wintry port in the Christmas of 1840, Melville stayed on the opposite side of the river, at Fairhaven. He was accompanied by Gansevoort, who bought his younger brother the items he needed: an oilskin suit, a red flannel shirt, duck trousers; a straw tick, pillow and blankets; a sheath knife and fork, a tin spoon and plate; a sewing kit, soap, razor, dirty bag; and a sea chest in which to store them.
    30 December 1840

    LIST OF PERSONS

    COMPRISING THE CREW OF THE SHIP ACUSHNET OF FAIRHAVEN

    Whereof the Master, Valentine Pease, bound for Pacific Ocean

NAMES
PLACES OF BIRTH
PLACES OF RESIDENCE
OF WHAT COUNTRY CITIZENS OR SUBJECTS
Herman Melville
Fairhaven
New York
US
    DESCRIPTION OF THEIR PERSONS

AGE
HEIGHT FEET INCHES
COMPLEXION
HAIR
21
5 9 ½
Dark
Brown
    Of the twenty-six men about to sail on the
Acushnet
, all had a share or lay in her future–fractions as eloquent as any amount