worked it.
âI love listening to the lambs,â Oliver said. âCan you hear them?â
Mary smiled without looking at him. âI can.â
âI have a farm in England. I inherited it from my grandparents.â
âItâs in the Cotswolds, isnât it? Iâve been thereâto the Cotswolds, I mean. Obviously I havenât been to your farm. I did one of those inn-to-inn walking tours.â
âMore rambling,â Oliver said with a wry smile. âYou went on your own?â
âYes. It was after the deaths of my sister-in-law and nieces in a sailing accident. I was on summer break before my final year at university in Cork. I needed...â Mary broke off, searching for the right words. âI suppose you could say my solitary walk in the English countryside was good for the soul. Are you here in Ireland alone?â
The wind caught the ends of his tawny hair. âI am, yes.â
âIs your visit because of mythology or because of the dangerous types you know?â
âPerhaps both.â
He spoke lightly, but Mary detected an edgy undertone, as if her question had struck a nerve. She wondered if his response might be the truth. âWhen did you arrive in Ireland?â she asked.
âYesterday. I flew into Dublin.â
âAnd youâre leaving tonight. Thatâs a brief visit.â
âIâd hoped to see Wendell Sharpe but discovered heâd already left for America. Do you know him?â
âNot personally, no.â
âHeâs gone home to Maine for the first time in years. Heâs attending the open house for the new Sharpe Fine Art Recovery offices.â
âWonderful,â Mary said. âFin and I will be there. Did you know the Sharpes investigated an art theft at the OâByrne house about ten years ago?â
âIâve heard,â Oliver said.
âIt wasnât a hotel then. Kittyâs uncle owned it. It was a drafty old place, I understand. The thief made off with several valuable artworks, including two landscapes by Jack Butler Yeats that are worth a fortune now.â
âHe was the younger brother of William Butler Yeats. A talented family.â
âMost of the stolen works mysteriously reappeared last fall.â Mary could hear the drama in her voice, but she didnât care. It was a captivating tale. âOnly a landscape painting of the crosses and ruin out on the headland is still missing. Itâs unsigned and probably of little value. Some people think itâs an early work by Aoife OâByrne, but she hasnât claimed it. She says she became an artist in part because of the theft.â
âIâm a great fan of her work.â Oliver looked out at the sea, past a narrow strip of pasture between the lane and the cliffs. âI own one of her porpoise paintings.â
Mary hadnât known that but hid her surprise. âAoife was at the gathering in February, too. You two, you arenât...â
âWeâre friends. At least I think of her as a friend. Iâm a simple mythologist, Mary.â
âI doubt thereâs much about you thatâs simple.â She nodded back toward the church ruin. âDo you have a particular interest in the three crosses on the hilltop?â
âIâm not working on a scholarly paper, if thatâs what you mean. The church thatâs in ruin is named after Saint Declan. This is Saint Declan country. Heâs one of the great patron saints of Ireland.â Oliver smiled, the hint of awkwardness a moment ago vanishing. âFinâs twin brother is named Declan.â
âItâs a traditional Irish name,â Mary said. âIâm not religious. I certainly donât believe Saint Declan was led to this part of Ireland by a bell atop a boulder floating on the Irish Sea.â
âNot literally, perhapsââ
âRocks sink.â
âBut think of rocks flung about in a fierce
Jody Gayle with Eloisa James