Light Years
it was more; the mistake she knew she would have to make was made at last. Her face radiated knowledge. A colorless vein like a scar ran vertically down the center of her forehead. She had accepted the limitations of her life. It was this anguish, this contentment which created her grace.
    In the summer they went to Amagansett. Wooden houses. Blue, blue days. Summer is the noontime of devoted families. It is the hour of silence when the only sound is sea birds. The shutters are closed, the voices quiet. Occasionally the ring of a fork.
    Pure, empty days. The sea is silver, rough as bark. Hadji has dug a hollow in which he lies, eyes narrowed, bits of sand stuck to his mouth. He always faces the sea. Franca has a black tank suit. Her limbs are shining and strong. She is afraid of the waves. Danny is more courageous. She goes out in the surf with her father; they scream and ride on their bellies. Franca joins them. The dog is barking on the shore.
    That whistle of the sea in the long afternoon, the great beds of brown foam, of kelp brought up by the storms, the mussels, the whitened boards. To the west it is steaming, a long, brilliant stretch as if in rain. In the dunes Franca has found the dry husk of a beetle. She brings it, quivering in her hand, to Viri. It has a kind of single horn.
    “Look, Papa.”
    “It’s a rhinoceros beetle,” he tells her.
    “Mama!” she cries. “Look! A rhinoceros beetle!”
    She is nine. Danny is seven. These years are endless, but they cannot be remembered.
    Viri sleeps in the sun. He is tan, his fingernails are bleached. On Mondays he goes to the city on the train and returns on Thursday night. He is shuttling between one happiness and another. He has a new secretary. They work together in a kind of excitement, as if there were nothing else in their lives. The isolation and indifference of the city in summer, like a long vacation, like a voyage, casts its spell on them. He cannot get over her niceness, the beauty of her name: Kaya Doutreau.
    Near him on the beach lie two young women on their stomachs. Beyond them, scattered, are families, clothing, men sitting alone. It’s late. The sea is empty. Down near its dying edge walk a bearded young man in Levis, naked to the waist, and a girl in the slimmest of bathing suits. They are talking, heads down. The new freedom pours from them; their lives seem infinitely useful and sweet.
    Sometimes at noon, reflected in shop windows, he sees himself and a child, sees them as if looking into the stream of life, among cakes and Bordeaux wine. For a moment they stand there, their backs to the street. They have almost finished their errands. Her face is against his arm. They are speechless, united. She has a straw hat. Her feet are bare. He is overwhelmed with a sense of contentment. The sun fills the summer town.
    They return to the house. The faded sound of car doors closing. Danny is feeding the rabbit near the kitchen step, a black rabbit with two white paws and a spot on his chest; they call it his star. His mouth moves hastily as he eats. His ears lie flat.
    In the brimming paper bags Viri finds a carrot. “Here,” he says.
    She slips it through the wire of the cage. The rabbit ingests it like a mechanical toy.
    “He likes lunch,” she says.
    “What about breakfast?”
    “He likes that, too.”
    “Does he wash his hands?”
    The carrot greens are vanishing in little jerks.
    “No,” she says.
    “Does he brush his teeth?”
    “He can’t,” she says.
    “Why not?”
    “No sink.”
    Danny is less obedient; she has a stubborn quality. She is less beautiful. In the summer her leanness and tan skin conceal it. She goes out in the deep water in a rubber tube, daring, kicking like an insect. It is morning, the surf falling forward, its white teeth hissing on the shore. Viri watches, sitting on the sand. She waves at him, her shouts carried off by the wind. He understands suddenly what love of a child is. It overwhelms him like the line from a

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