Little, Big
She straddled the bench, and picked up a twig, at the same time drawing out with her pinkie a glittering hair that had blown between her lips. She scratched a quick five-pointed star in the dirt. Smoky looked at it, and at the tautness of her jeans. "That's not really it," she said, looking birdwise at her star, "but sort of. See, it's a house all fronts. It was built to be a sample. My great-grandfather? Who I wrote you about? He built this house to be a sample, so people could come and look at it, from any side, and choose which kind of house they wanted; that's why the inside is so crazy. It's so many houses, sort of put inside each other or across each other, with their fronts sticking out."
    "What?" He had been watching her talk, not listening; she saw it in his face and laughed. "Look. See?" she said. He looked where she pointed, along the back front. It was a severe, classical facade softened by ivy, its gray stone stained as though by dark tears; tall, arched windows; symmetrical detail he recognized as the classical Orders; rustications, columns, plinths. Someone was looking out one tall window with an air of melancholy. "Now come on." She took a big bite (big teeth) and led him by the hand along that front, and as they passed, it seemed to fold like scenery; what had looked flat became out-thrust; what stuck out folded in; pillars turned pilasters and disappeared. Like one of those ripply pictures children play with, where a face turns from grim to grin as you move it, the back front altered, and when they reached the opposite wall and turned to look back, the house had become cheerful and mock-Tudor, with deep curling eaves and clustered chimneys like comic hats. One of the broad casement windows (a stained piece or two glittered among the leaded panes) opened on the second floor, and Sophie looked out, waving. "Smoky," she called, "when you've finished your lunch, you're to go talk to Daddy in the library." She stayed in the window, arms folded and resting on the sill, looking down at him smiling, as though pleased to have brought this news.
    "Oh, aha," Smoky called up nonchalantly. He walked back to the stone table, the house translating itself back into Latin beside him. Daily Alice was eating his sandwich. "What am I going to say to him?" She shrugged, mouth full. "What if he asks me what are your prospects, young man?" She laughed, covering her mouth, the way she had in George Mouse's library. "Well, I can't just tell him I read the telephone book." The immensity of what he was about to embark on, and Doctor Drinkwater's obvious responsibility to impress it on him, settled on his shoulders like birds. He wavered suddenly, doubted doubts. He looked at his big beloved. What anyway were his prospects? Could he explain to the Doctor that his daughter had cured Smoky's anonymity as if in one blow—one glancing blow—and that that was enough? That the marriage service once completed (and whatever religious commitments they would like him to make made) he intended to just live happily ever after, like other folks?
    She had taken out a little jackknife and was peeling a green apple in one segmented curling ribbon. She had such talents. What good was he to her?
    "Do you like children?" she asked, without taking her eyes from her apple.

Houses &  Histories
    It was dim in the library, according to the old philosophy of keeping a house shut up on hot summer days to keep it cool. It was cool. Dr. Drinkwater wasn't there. Through the draped, arched windows he could just glimpse Daily Alice and Sophie talking at the stone table in the garden, and he felt like a boy kept indoors, bad or sickly. He yawned nervously, and looked over nearby titles; it didn't appear that anyone had taken a book from these laden shelves in a long time. There were sets of sermons, volumes of George MacDonald, Andrew Jackson Davis, Swedenborg. There were a couple of yards of the Doctor's children's stories, pretty, shoddily bound, with

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