butâ¦â
âThe police?â
âSomeone called them out. Two of the mares got out on to the road. It was our fences, Howard. Theyâll really have to be mended properly now if weâre going to help horses here as well.â
Air frowned. âWe canât have that, can we? Iâll have to see what I can do. We might be able to spare some wood.â
âInspector Harpe told us the two of them caused havoc with the traffic on the Larking road. Jennifer went out to see if she could help and said that cars were backing right up to Billing Bridge.â
âNo one hurt, I hope?â he asked throatily.
âNot this time. We may not be so lucky the next time it happens.â She turned away from him so that he couldnât see her face. âHave you heard about our poor nephew?â
âDerek? No. What about him?â
âHe died,â she said bleakly. âItâ¦â her voice faltered and then picked up again. âIt was not unexpected.â
*Â Â Â *Â Â Â *
âOh, thank you, officer.â The radiographer who had arrived at the museum with Dr Steve Meadows was young and pretty. She smiled sweetly up at Detective Constable Crosby as he helped her align the portable X-ray machine with the side of the mummy case. âYouâre very kind.â
Crosby beamed.
âNow,â she smiled again, âif you would just lift that cable there for meâ¦â
âThis one?â
âTake care,â she said. âItâs very heavy.â
The constable squared his shoulders like a latter-day Hercules applying himself to one of his labours. âWhere do you want it putting, miss? By the coffin?â
âCartonnage,â said Marcus Fixby-Smith snappily, making it quite clear that radiology was not the only expertise around in the museum and that he, too, knew a pretty young girl when he saw one.
âWeâll start with the cranial area, please, Ruth,â called out Steve Meadows, the Berebury radiologist. He turned to Sloan. âYou canât tell how the anatomical remains are lying within the casket at this stage, Inspector. If we can establish the position of the naso-frontal suture, that should get us started.â
Getting finished and done with rather than getting started was what interested Sloan, but he did not say so.
âAll the same,â carried on the radiologist chattily, âI canât think whatâs got into the coroner. Heâs usually pretty reasonable.â
âPerhaps heâs interested in ancient Egypt,â murmured Sloan, at the same time noting that Crosby was getting increasingly interested in the petite and present-day young radiographer, who still managed to look attractive in spite of wearing a lead apron.
âOr just anything nubile,â said Meadows, almost equally sotto voce. âGreat place for beautiful girls, Nubia.â
âPerhaps,â contributed Marcus Fixby-Smith, who wasnât used to being left out of any conversational exchange going, âthe coroner thinks the ancient Egyptian practice of weighing the heart of the deceased against the Feather of Truth would be an improvement on an inquest.â
âWell, thereâs one good thing to be said for X-raying a mummy,â remarked the radiologist in more everyday tones.
âReally, doctor?â In Sloanâs book there wasnât anything at all to be said for spending a whole morning on it when he was so busy with the drugs scene.
âIt doesnât have any trouble keeping still when it has its photograph taken. That makes a nice change,â he added feelingly.
A line of verse from a Great War poem flitted through Sloanâs mind: something about confusing stillness with death. It would come back to him presently.
âNow, officer,â Ruth, the radiographer, was saying prettily to Crosby, âif you wouldnât mind just standing well back, please, while I take some