said. “Think hard if you really want to do it. I've seen the modern woman and I don't want that. I want to be a traditional wife. Oh, sure, I'll get a job. But I don't want to be double income, no kids, do you?”
“No,” Eric said definitely.
“So I'm going to be following your lead, not the other way around,” Brooke said. “And, sure, there might be some false steps along the way. Things might look bad from time to time. Maybe we'll have to change course and ask for directions. But I need to know where, in general, we're going. Is that to stars or not?”
“I've really got to think about that one,” Eric said. “Right now, I'm just concentrating on surviving the missions.”
“And please concentrate on that,” Brooke said. “But I don't think it interferes, does it?”
“Not that I know of,” Eric said, then paused. “Well, spec ops officers rarely make stars. But those are the guys who marry to it and never get out. Spec ops as a lieutenant or a captain? That's sort of like a good merit badge. I'm going to have to collect those, anyway.”
“So concentrate on surviving the missions,” Brooke said. “Please. But decide, sometime soon, if where you want to go is stars. Or if you're going to be a major success in the civilian world. It changes what I do, how I act. If you're going to go for a civilian career, I need to get a degree I can use to support you while you go back to school.”
“Shiny,” Eric said. “I repeat, you're amazing.”
“You haven't learned the half of it,” Brooke said. “Now, what was that you were explaining about positions?”
It had been a seemingly short three hours. The opening of the documentary—most of which was shot from surveillance cameras, external cameras on the ship and Wyvern systems—was definitely designed for the computer generation. Short clips of groups of people would zoom in on one, lay out a statistics and general information screen, then give deeper background about each of the characters. Then Commander Weaver was there, including his background in the Dreen War, which was open-source information. There were also several Marines and sailors as well as the commander of the ship, Captain Steven Blankemeier.
Internal surveillance cameras had caught several of the pre-mission briefings and a description of pre-mission physical, using some very nice computer generated imagery, was revolting enough that the Russian nearly lost his lunch.
Then there were the details of the missions. The more or less useless Dean's World, Runner's World with its deadly crabpus, nearly losing the ship and all the Marines. Some of the people the audience had been introduced to were suddenly gone—eaten, mangled, ripped to shreds. But the Blade went on.
The second hour covered the findings in Cheerick and again, people died, people who had been made to live and breathe during the earlier parts of the documentary. The Wyvern video from the fall of the science section was particularly vivid. The amazing biological defenses of the planet were detailed along with their utility to humanity, once they were fully understood. It ended with the return to Earth, startling the mission controllers with a giant crabpus mounted on the hypercavitation activator.
The third hour was the scramble to head to the lost colony. The documentary caught, vividly, the boredom of the long transit. But the viewers quickly got caught up in the battles around the unnamed stars. Captain Blankemeier, one of the central characters, was given a short bit where he referenced “battling on the arms of Orion.” One of the internal cameras on the ship caught a blast of plasma ripping through the crew quarters, fortunately vacant. More caught lasers and mass drivers ripping the ship until she was virtually airless but still fought on. Wyvern video of Eric capturing the flagship was missing, so CGI and overlay techniques were used to simulate it. If anything, they looked better. The Mreee
Mark Reinfeld, Jennifer Murray
Antony Beevor, Artemis Cooper