and pants. There was another man with him and as she neared she found they were bent over some sort of pump installation. Now, up on the horse, she was beside them. He was different; he had stripped off his shirt, hands stained with grease and dirt he rose bare-breasted. Nothing significant in a man naked to the waist, as there is when every magazine cover uses the evident evocation of bare-breasted females. But perhaps because this man was always so fully dressed in the abstract as well as the material sense, what was revealed couldnât have been
guessed at. This torso seemed to belong to someone other in the gleaming beauty, sweat-painted, of perfectly formed muscle, the double path below pectorals, left and right, of smooth ribbing beneath lithe skin. Black. Simply black. No mark, no hairy pelt. Who is this man?
âEvery time Iâm here, itâs some problem. Pump packed up.â
She laughed. (The problems of the maison secondaire .) She was sweating, too, her forehead gleamed hot and rosy.
âThe ride was good?â
Wonderful, wonderful.
He took a shower. She was directed to what must be the wifeâs bathroom; a pink comb and an empty bath-oil bottle on the shelf, a gown hanging in folds like a crestfallen face.
They were having a farewell whisky on the patioâin the itinerary of her dayâs treatâabout to leave for the long drive back when the woman in charge of the house burst out flustered. A rising tempo of exchange began between her and the host; he followed her into the house with a gesture of exasperation. But when he came back to the patio he was his composed self, distanced from whatever this problem was.
âThe manâs been drinking. My driver. Theyâre having a big party there, all the time.â
âDrunk?â
âHe canât drive.â
Not a tragedy. She spread her hands and cocked her head cheerfully. She was used to all sorts of necessary changes of arrangements, in the course of working journeys with her Administrator. âWe can driveâyou and I.â
âIn the dark, at night. Itâs not safe.â
âOh I donât mind, weâll be all right, sharing, Iâve often driven in rural areas at night.â
âNot the driving. Itâs not safe.â
Not safe. Ah yes, the drunkâs not just a driver, heâs a bodyguard.
âHeâll be back in his head in the morning. We can go very early. Is that okay for you? Sunday tomorrowâyou donât have some appointment? Iâm sorry.â
âWell I suppose ⦠nothing else for it. I mean if thereâs risk, for you. No, I donât have anything particular planned ⦠Nobody expects me. Nobody sits up for me.âShe smiled to assuage his concern.âThatâs freedom.â
âI appreciate your attitude. Many women â¦â
The woman in charge of the house produced a tray with cold meats and bread and they drank whisky, talking âdevelopment shopâ in an indiscreet way, criticising, analysing this individual and that as they had never done (he would never allow himself to?) without the whisky, anywhere but hidden safe in the house that must have been a lit-up fantasy in ancient total darkness surrounding them. Not only the driver-bodyguard had made his escape, that night, from the restraints of official duty.
When both began to yawn uncontrollably he found it appropriate (every situation has its protocol) to rise from the sofaâs fake leopard-skin velvet and decideâIâll show you where you can sleep.â
In the rhythm of their progress along a passage she told himâWhat a lovely day, and the rideâand he put an arm up around her shoulder, rather the gesture of a man towards a male friend.
There was no sign of whose room it was she was left in: the
character of the misplaced Californian house that there were rooms for purposes that did not match needs where it had been set down. It seemed to
Matt Christopher, Daniel Vasconcellos, Bill Ogden